The Man Who Did the Right Thing: A RomanceJohnston, Harry
General
The Man Who Did the Right Thing: A Romance
Johnston, Harry
British -- Africa, East -- Fiction; Missions -- Tanzania -- Fiction
But Maud has remained obdurate. In spite of this they have settled down
in course of time, and in battling together against the anxieties,
difficulties, and dangers of African colonization, into very good
comrades. Maud and Roger and even Lucy all speak German to some extent,
and the Germans of the Concession have an even greater facility in
English. Conversation is often a medley of both languages and much
laughter at each other’s mistakes. Lucy contributes to the common stock
of entertainment very little in the way of talent. She is naturally
fond of music: sweet melodies, deep harmonies bring the tears into her
eyes; gay tunes make her want to dance; but she is no musician and no
dancer. Maud has a pleasant contralto voice and is a good accompanist.
Lucy’s water-colour painting has long since been given up as a futility
in this age of universal talent. But she makes botanical collections
now with some deftness and ability under the instruction of Dr. Wiese,
whom in this direction she really helps. Yet considering she has borne
four healthy children in six years of marriage no one can ask much from
her in the way of accomplishment in the arts; and by the time she has
attended to her offspring’s needs with the perfunctory help of
Halima—herself saddled with two brown hybrids, bearing extravagant
Portuguese names—mended their clothes and her husband’s, and her own,
and generally directed the housekeeping, it is felt she has done her
duty to the little community. Nevertheless though she is not
particularly witty, original, or wise, and has no great physical
attraction for any one but her husband, and is prone at times to be
silent with a gentle melancholy, she has an inherent gift for making
people feel at home. She has a capacity for listening unweariedly to the
longest stories, and is a sympathetic confidant to any one in trouble.
So Bergwerksingenieur Hildebrandt said good-bye to her with nearly as
much sentiment as infused his voice and his hand-grip when he took leave
of his liebste Kamerad, "Meess Mowd" (Maud always said that his
pronunciation of her name robbed his courtship of all romance). He
looks indeed so sad at parting from these two dear Englishwomen that
Maud is nearly tempted to kiss him; only that he might have misconstrued
her motherliness.
Public-domain text, read in full here on John Shaqi.
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