I remember striking out homeward from the station down our drably
progressive suburban Main Street, following the bumping, grinding,
loitering trolley across the little bridge over a stream that sends up a
dank, fishy odor, though all the living things I have ever seen in its
neighborhood were mosquitoes and water snakes.
Over the rusty iron parapet I stood leaning for a few minutes and the
original thought feebly stirred my dazed brain that life was not so much
a dream—as the Spaniard Calderon would have it—as it is a stream. There
is no knowing what it may not bring upon its bosom.
"That’s it," I muttered to myself aloud. "Life is a stream within a
dream."
"That’s about the size of it," gruffly remarked a passing laborer behind
me, his dinner pail clanking against his side, and he burst into a
hoarse guffaw.
I laughed too, and concluded that I was still maudlin at the end of my
perfect day.
I left the bridge and the highway, turned to the right and began to
climb the ill-lighted crooked street, anciently a Dutch cattle track, no
doubt, that leads to my isolated châlet upon the rock.
With all geography, history, the visible and invisible universe to draw
upon, the fathers of Crestlands had denominated this obscure street
Milwaukee Avenue. Milwaukee Avenue put the last touch to my nightmarish
state. A sickly laugh escaped me as I bent my back to the ascent.
A young mounted policeman, who rode like another Lancelot by this remote
Shalott, interrupted his tune long enough to give me a cheery greeting
and rode on humming to himself.
The September evening was mild and I vaguely purposed walking past my
house and strolling about for a bit before I went in. It was early for
returning from dinner in town, and I was not overanxious to encounter
anybody. A sudden sense of something eerie and awesome came to me as I
looked at that deeply shadowed cottage. It appeared unfamiliarly
remote, detached, and I gazed upon it with a weird sense of foreboding
that sent a slight shiver down my back. The window shades of the châlet
were drawn with only their rectangular lines of light showing
through,—light, I reflected bitterly, by which Pendleton was no doubt
beguiling Alicia to desert my house and follow him.
This thought lodged like a barb in my heart and my feet suddenly turned
to lead. I could not go on farther and irresistibly I felt myself drawn
homeward.
The somber habit of my recent reflections urged me with a plausibility
strange and inexplicable to enter my study by the window instead of the
comparatively public door. The window nearly always stood open. In
case of storm Griselda or Alicia would dash about the house and close
the windows, beginning always with my study. But this day had been
clear.
I tiptoed around through the garden to the side upon which my study
window gives. From it the land slopes away under a covering of trees
until it reaches the stream.
Public-domain text, read in full here on John Shaqi.
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