I wish I were not obliged to parry social invitations just at present.
The excellent Visconti who had asked me to dinner two or three times
during the winter, has suddenly taken a notion to ask me at least once
every week. I hope I am not grown so churlish but that I appreciate his
well-meant courtesy. But the fag is too great.
He has a house in Thirteenth Street neighboring on St. Vincent’s
Hospital, and he also has a motherless daughter, Gina, abounding in
vitality, who must be amused. The proximity to the hospital, he
intimates, the smell of carbolate and iodoform, depress young blood, and
Gina, being super-American, must not be allowed to remember that there
is anything unpleasant in life. I trust I am not the only vessel chosen
to bring more lively spirits to that girl.
The effort for me is immense. I go to Crestlands after office hours,
dress, return to town, and then make a late train for Crestlands again.
The food is excellent and Gina sings prettily in a soprano as rich as
her coloring. But the next morning Visconti’s does not enjoy the fruit
of my undimmed energies.
More recently, Visconti has urged me not to dress and in that I see the
fine hand of Gina at work. As an American-born girl, Gina is quick and
eager to read the signs and weather indications. And though I am
becoming dexterous in excuses, I dined at the Visconti’s last night
nevertheless. Gina sang the _Sole mio_ and _Una voce poco fa_ and even
told my fortune in cards, predicting that I should "be married a second
time."
"But never a first time?" I queried simply.
"Oh, then you’ve never been married at all!" Gina exulted, and she
energetically read the cards for me afresh. Her sortilege evidently is
not a perfect science. But it occurs to me that by means of it the
clever Gina found out more about my personal life than ever I had
vouchsafed to her in all our acquaintance.
When I returned home I found Alicia in my study sitting late over the
catalogue, a copy of which she is now completing. She jumped from her
chair.
"Oh, I am so glad you’ve come, Uncle Ranny," she clapped her hands
joyously. "I have found something we have overlooked."
"What is it, Alicia?" And my gaze was, I admit, fascinated by her
flushed cheeks and starlike eyes sparkling with excitement. She seemed
the Muse incarnating those books, the very spirit of beauty they
enshrine. And yet she is not quite sixteen.
"It’s Shelley’s ’Alastor’!" she cried. "And it’s so thin that it had
slipped in between the covers of another book. It’s a first
edition—1816, isn’t it?"
"Yes, Alicia. And a very beautiful poem besides."
"Oh, isn’t it!" she cried in exultation. "I have read it all, Uncle
Ranny, and do you know what I found out?"—and her voice became more
solemn—"it is your life Shelley was writing!"
I laughed uproariously.
Public-domain text, read in full here on John Shaqi.
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