A cordon of police stopped Fahn and his party at the edge of a grove of
palms near the beach. A moment more and they were inside. It was dim
under the palms; the white sand a lace pattern of shadow and moonlight.
Gay figures were moving about, all the men masked now.
The grove covered perhaps a quarter of a mile. To the right lay the
gleaming white beach with the surf rolling up upon it. A tremendous pile
of scarlet and white blossoms stood near by under the palm trees.
Figures rushed to it, gathered up armfuls and darted away, shouting and
laughing.
"We must keep together," Fahn warned. "Come this way."
Half a dozen men had whirled up, pelting Azeela and Dee with flower
blossoms, and, under cover of the laughing attack, tried to separate the
girls from their escorts and carry them off.
They moved slowly forward, George gripping Dee's arm tightly. They
passed a huge, rectangular swimming pool, deserted as yet--glassy,
moonlit water a foot or two below the surface of the ground, reflecting
the dark outlines of the date palms that curved above it.
The whirling crowd constantly became thicker. There must have been
several thousand people within the grove: the white shrouded figure of a
woman flinging flowers against the attack of a man; a woman retreating,
her ammunition exhausted, to the flower pile to replenish, and being
caught in a smothering embrace before she could reach it; a group of
laughing girls, their robes torn from them in the fray, pelting a
defenseless man, flinging him finally into a huge pile of flower petals,
burying him until some other quarry distracted their attention, or a
stronger force of men separated them, sometimes carrying them off
bodily.
And in nooks behind the hedges of flowers, couples stole silent
embraces, alone until marauding bands of men or girls found them out and
drove them from their seclusion.
The white sand was thick with trampled flowers. Music came drifting
through the warm night air; music near at hand, but blurred by the
shouts of the whirling throng. The rich contralto voice of a woman
singing--a snatch cut off by laughter.
A large white pavilion lay ahead, brilliant with flashing colored
lights--a kaleidoscope of shifting color. It seemed crowded with people,
and Fahn now led his little party toward it.
They did not enter the pavilion, but stood in a group on its steps. The
music came from within, music that welled and throbbed, unfamiliar in
character, but with the age-old appeal to the senses--music sensuous,
barbaric. And yet was it barbaric?
Rogers voiced the question in a whisper to Loto, who stood beside him.
Was it not rather supermodern, with the centuries of decadence that had
put into it that fire of the soul abandoned to the body?
Public-domain text, read in full here on John Shaqi.
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