"And here is a room of medicine and surgery," he added. He had turned
unexpectedly into a side cave, a room furnished and draped, and dimly
lighted by braziers hanging from its low roof. Rows of bottles, cases of
instruments, a long, low table, littered with a variety of strange
objects; the room held a confusion of things, most of which were
incomprehensible.
Something made Rogers shudder. "What is that?" he demanded.
"To create human life," said Fahn. "For thousands of years, science has
tried to do that. We can make a man's body--but his soul and mind still
elude us."
Rogers was staring at a metal framework, where the organs of a man were
hanging, joined together and with a network of blood vessels around
them; the fundamental, simplified mechanism of man, without the body.
And there was movement to the organs; the heart was beating, the lungs
breathing.
It was gruesome; it made Rogers' gorge rise.
"They will function for a little time," Fahn explained. "But our
surgeons have done better than that. They have made the living body--all
but the mind and the soul."
A small case was standing on a pedestal, illuminated by a dim blue light
above it. A lump of living human flesh lay within, roughly fashioned
into human form, with arms and legs that kicked.
Rogers backed away.
It seemed like a dream, this trip through the Scientists' cavern. From
one room to another they wandered. Most of the caves were unoccupied;
occasionally a lone worker or a group would stop their tasks
momentarily to meet their leader and his visitors.
From far away recesses, where the main work was going on, the hum of
dynamos sounded.
"We will not go into the workrooms tonight," Fahn said. "I'll show them
to you later."
They entered another inner cave, which was high-arched and unusually
large. It held relics of bygone ages. Broken mechanisms, that
inhabitants of other planets might have left on earth, had been dug
up and stored here as in a museum. They meant nothing to Rogers, nor
did Fahn offer to explain them. But this room more than any other in
the cavern seemed to carry with it the power of science, the greater
science that to Fahn's time world was in the prehistoric past. It
showed Fahn and his contemporaries in their true light; they were
archaeologists--imitators, reconstructors, not real creators.
At last they reached a circular room equipped with the apparatus for
taking voices and images from the air. Its side walls were paneled with
huge crystals that mirrored distant scenes; and it was filled with
millions of tiny voices.
Fahn stood before one of the crystals: his hand was on a lever; the
fingers of his other hand rested on a tiny row of buttons. Rogers
noticed that there were scores of similar mechanisms dispersed about the
room.
"Let us look and listen, a mile away to the west," Fahn said.
Public-domain text, read in full here on John Shaqi.
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