“It’s very hard. I lack steadfastness. Of a sudden I could perhaps do
something. I understand very well that life is difficult and narrow for
every one of us. I know that my godfather sees that, too! But he profits
by this narrowness. He feels well in it; he is sharp as a needle, and
he’ll make his way wherever he pleases. But I am a big, heavy man,
that’s why I am suffocating! That’s why I live in fetters. I could free
myself from everything with a single effort: just to move my body with
all my strength, and then all the fetters will burst!”
“And what then?” asked Yozhov.
“Then?” Foma became pensive, and, after a moment’s thought, waved his
hand. “I don’t know what will be then. I shall see!”
“We shall see!” assented Yozhov.
He was given to drink, this little man who was scalded by life. His
day began thus: in the morning at his tea he looked over the local
newspapers and drew from the news notices material for his feuilleton,
which he wrote right then and there on the corner of the table. Then he
ran to the editorial office, where he made up “Provincial Pictures”
out of clippings from country newspapers. On Friday he had to write
his Sunday feuilleton. For all they paid him a hundred and twenty-five
roubles a month; he worked fast, and devoted all his leisure time to
the “survey and study of charitable institutions.” Together with Foma he
strolled about the clubs, hotels and taverns till late at night, drawing
material everywhere for his articles, which he called “brushes for
the cleansing of the conscience of society.” The censor he styled as
“superintendent of the diffusion of truth and righteousness in life,” the
newspaper he called “the go-between, engaged in introducing the reader
to dangerous ideas,” and his own work, “the sale of a soul in retail,”
and “an inclination to audacity against holy institutions.”
Foma could hardly make out when Yozhov jested and when he was in
earnest. He spoke of everything enthusiastically and passionately, he
condemned everything harshly, and Foma liked it. But often, beginning to
argue enthusiastically, he refuted and contradicted himself with equal
enthusiasm or wound up his speech with some ridiculous turn. Then it
appeared to Foma that that man loved nothing, that nothing was firmly
rooted within him, that nothing guided him. Only when speaking of
himself he talked in a rather peculiar voice, and the more impassioned
he was in speaking of himself, the more merciless and enraged was he
in reviling everything and everybody. And his relation toward Foma was
dual; sometimes he gave him courage and spoke to him hotly, quivering in
every limb.
“Go ahead! Refute and overthrow everything you can! Push forward with
all your might. There is nothing more valuable than man, know this! Cry
at the top of your voice: ‘Freedom! Freedom!”
Public-domain text, read in full here on John Shaqi.
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