England -- Fiction; English fiction -- 19th century; Inheritance and succession -- Fiction; Mystery fiction
The desks of the scholars being immovable were left in their places,
and the audience--which comprised nearly the whole population of the
village--sat like rows of elderly pupils ready to be instructed. Forms
and desks were ranged in the centre of the room and there was a narrow
walk on either side leading down to the wide door at the end of the
building which was continually opening and shutting to admit late
arrivals and exclude a view of the festive preparations from the
penniless crowd outside who could not afford the necessary coppers for
entrance fee. Illumination was provided by six oil lamps, three on
each side, set in metal brackets, and from the centre of the roof over
the stage hung a larger lamp, while the piano was further adorned with
two weakly-looking tallow candles for the convenience of the musician.
The school-mistress, Miss Busky, a dried-up prim-looking little woman,
who resembled a cork fairy more than anything else, had further
ornamented the bare room by wreathing round the maps and lamps strings
of coloured paper flowers manufactured by artistically inclined
pupils, and even the legs of the piano were swathed in these tissue
paper decorations. Over the stage there was also a large placard
bearing the word "Welcome" wreathed with artificial flowers, so that
Miss Busky on surveying her handiwork felt quite content with the
general effect of luxury produced by herself and her satellites. The
programme was neatly written out by the best writers in the school,
and handed only to favoured visitors as these efforts of penmanship
were few in number. The visitors themselves, red, lusty country folk,
had come from far and near to the concert, and the little school-room
was uncomfortably full, but owing to the fierce efforts of Miss Busky,
who bounced about like an india-rubber ball, everyone was at last
comfortably settled.
Mrs. Larcher and Pumpkin taking no part in the performance were
accommodated with front seats, together with many of the country
gentry, who always patronised these entertainments at the urgent
request of the vicar, who greatly believed in good feeling and
friendliness existing between the lords of the soil and their tenants.
And now amid a great clapping of hands and stamping of heavily shod
feet the popular vicar himself appeared on the stage as chairman, and
took his seat beside a small table adorned with a jug of water, a
glass and a programme.
Dr. Larcher made a short speech, ending with a quotation from his
favourite poet:
"Et thure et fidibus juvat
Placare,"
which hardly anyone understood, and then the serious business of the
evening commenced.
Public-domain text, read in full here on John Shaqi.
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