"All along those funereal walls were ranged rows of chairs. The light
was bright, the candles and the chandeliers of skulls gleamed. At the
end of the cavern was a platform covered with lines of music-stands.
The musicians were just coming on to the platform. The audience was
taking possession of the chairs; people were arguing and joking about
the macabre decoration of the walls.
"All the cafés of the Abyss, all the artistico-mystico-macabre scenes
in which life is laughed at and death jeered at, all those boxes of the
Butte, in which skulls grin from the walls, and skeletons rattle on the
floor, all the funereal carnival of Montmartre were surpassed.
"We had before us fifty musicians of the Opera, of Lamoureux, and of
Colonne, who had come down into the Kingdom of Bones to serenade the
Dead. And under the vaults of the Catacombs, among their avenues and
crossways, where stretch the tragic walls covered with the bony wrecks
of men, the funeral march of Chopin raised its lamentation before an
audience of æsthetes, of artists, of Bulgarians, of Moldo-Wallachians,
of frequenters of first-nights, of M. Mifroid, and M. Theophrastus
Longuet, who sleeps peacefully on his chair as he always does at the
theatre.
"'Perfect, that first violin! Perfect!' I said under my breath. (I am a
connoisseur.)
"What gave me the greatest delight was the exquisite fashion in which
the orchestra rendered the adagio of the third symphony of Beethoven.
Finally we had 'The Dance Macabre' of Saint-Saëns. Then I tapped
Theophrastus on the shoulder and said that it was time we went home.
The concert after three weeks of the Catacombs had done me a world of
good.
"We walked briskly, and ten minutes later we found ourselves on the
surface of the earth. I breathed a deep sigh of satisfaction: with the
exception of the ham, there had been nothing old-fashioned about our
three weeks' journey through the Catacombs.
"'I told you that we should get out!' I said. 'My wife will indeed be
pleased to see me!'
"'So much the better for you and for her,' said Theophrastus gloomily.
"'I should never have believed that the Catacombs were so pleasant,'
said I.
"'Neither should I,' said Theophrastus gloomily.
"We walked on for a few minutes in silence. It was so pleasant to be
walking under the open sky and the stars instead of under a roof in
electric light, that I did not hurry to take a cab.
"Then Theophrastus said, 'What are you waiting for?'
"What am I waiting for? I'm not waiting for anything or anyone. I am
being waited for. And I'm sure that Mme. Mifroid must be in a terrible
state of anxiety.'
"'But why don't you arrest me? When I asked what were you waiting for,
I meant what are you waiting for to arrest me?'
"'No, M. Longuet, no. I shan't arrest you... It was my mission to
arrest Cartouche. But Cartouche no longer exists! There is only M.
Longuet; and M. Longuet is my friend!'
"The eyes of Theophrastus filled with tears.
Public-domain text, read in full here on John Shaqi.
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