"At that epoch--my friend Adolphe, who's as serious as a donkey, will
tell you so--they no longer hung people at the Gallows of Montfaucon,
but they used to throw into the charnel-house of those gallows the
remains of people whom they hung elsewhere. That's how it was that
this poor Gastelard, whose skeleton I recognised just now, was dragged
to the charnel-house after having been hung in the Place de Grève.
Gastelard, my dear M. St. Elmo's-Fire--"
"De Saint-Elme," M. Lecamus corrected him again.
"My dear M. de Saint-Elme, Gastelard wasn't up to much, a poor beggar
full of imagination, who, having one day disguised himself as a King's
deputy, demanded his sword from a gentleman, showing him at the same
time an Order of Committal. The gentleman believed that he was being
duly arrested, and handed over his sword, the hilt of which was gold
and the most beautiful you ever saw. The story ended with Gastelard at
the end of a rope. But I'll be hanged, my dear M. de l'Equinox--"
"De la Nox," insisted Adolphe.
"De la Nose, my dear M. de la Nose, I'll be hanged if I ever expected
that I should one day find his skeleton in a house in Huchette Street!"
The Mage, motionless and silent, regarded Theophrastus and his talk
with an attention nothing could divert.
"I have never laughed anywhere so much as at Saint-Chaumont Hill,
between Chopinettes mill and Cock mill," said Theophrastus with the
same garrulous cheerfulness. "Chopinettes tavern was there; it had
taken the place of the tavern François Villon was so fond of, where
for centuries all the cullies and doxies of Paris used to come on
hanging-days to carouse. It was between Chopinettes mill, Cock mill and
the Gallows of Montfaucon that I buried my treasures; and if you have a
plan of old Paris, my dear M. Elephant de Taillepot de St. Elmo's Fire
de la Nose--"
Theophrastus had not quite come to the end of his host's name, when, of
a sudden, the darkness fled; and the room and all in it shone clear in
the brilliant light of day.
He looked round him with manifest satisfaction, at his wife, who was
muttering a prayer, at his friend Adolphe, who was on the verge of
tears, at the bookshelves, which practically walled the room, and at M.
Eliphas de la Nox, who smiled at him with gentle compassion. The Mage
had lost his supernatural air; his cloak of astral light had gone; and
if his features had still their sublime and ineffable pallor, he none
the less looked a man like anybody else.
"I like this a good deal better," said Theophrastus with a deep sigh of
relief.
The Mage raised his hand. "No: I will not give you a map of old Paris
to look at, though I have them of every age," he said. "You have
nothing to do with old Paris. You are Theophrastus Longuet; and we are
in the year 1911."
Public-domain text, read in full here on John Shaqi.
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