The meal had been ordered with special care. Few women, accustomed
daily to study the tastes of their men at home before their own choice
of dishes, can resist the subtle appeal of a menu, ordered by one of
the opposite sex, in which each item shows an unselfish effort to
please the invited guest.
Mrs. Uniacke ate lobster and crisp salad (which she loved)--grouse
(sternly forbidden at home on the score of extravagance) and confessed
gaily to greediness when a chocolate souffle was laid before her
followed up by hothouse peaches and a fragrant cup of coffee. Even her
favourite "marrons glaces" graced the narrow luncheon table and the air
was sweet with the scent of roses in their last glory of second bloom.
"What a banquet! My dear boy--I'm afraid you've ruined yourself for
me. But I really have enjoyed it so!" (The champagne had done its
work. Like all women who suffer from nerves alcohol took immediate
effect, to be followed, however, by a reaction almost as quick, and
lachrymose.)
Stephen knew this and decided to burn his boats without delay.
"Nothing's good enough for you!" He left his seat and handed her a
cigarette with a smile.
But she laughed it away, her eyes bright.
"I never smoke--you know that, Stephen."
"Try one. I think you'd look prettier still..." he checked himself.
"Sorry--it slipped out!--I forgot you always hated compliments."
"You forget I'm an old woman!" She caught at the phrase in
self-defence. "Old enough to be your mother."
"_You_...?"--he stooped over her--"I ... sometimes ... almost wish you
were!"
"Stephen!"--she drew away, startled. "You mustn't talk like that!"
But she felt a curious exultation, a sudden throb of fear and pride.
For oh! Youth is sweet to hold and sad to lose; and a woman clings to
the delusion for long years after grey hairs appear.
"Well--I do. You're too ... sweet! Don't you know what it means to
me? Have you never _even_ guessed?" He broke off, his eyes dilated.
Mrs. Uniacke shrank back.
"Don't--you mustn't. Stephen!--you're mad!" ... For the man was on his
knees by her side; her hands were caught, she could feel his lips,
smooth and young, pressed upon them.
"I can't help it!--You know _now_. Of course you'll send me out of
your life. But, this once, I've got to tell you--I love you so!"--the
words were out.
And, indeed, a spark of truth lay in the declaration. This lover's
scene, carefully rehearsed by him, found him amazed at the strength of
his own desire. He stood upon the brink of passion. For habit plays
queer tricks, and the daily intercourse of years had flowered unseen.
This was the fruit.
All that was good in Somerfield went out toward the loving woman who
had played the part of mother to him, a lonely man through his own
folly. And all that was base prompted him to take this chance that
life still offered: a home, the tender care of a wife in the midst of
financial ruin.
Public-domain text, read in full here on John Shaqi.
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