Fantasy fiction, French -- Translations into English; Paranormal fiction, French -- Translations into English
It was an inspiration of the master's. He had resolved to risk his bull
to save human life. At the same moment the fat, round, rosy face of our
landlord appeared through the skylight of the stable, crying to the crowd
not to be alarmed, for that he would open the inner door which abuts into
the old synagogue, and let out the crowd by the Jews' street, which was
done in two or three minutes, to the immense relief and comfort of the
public.
But now listen to the end of my story.
Scarcely had the bear caught sight of the bull when he made an ugly rush
upon this new adversary with so terrible a shock that the chain burst.
The bull retired, facing his foe, to a corner of the court near the
pigeon-cote, and there, head well down between his short legs and horns
presented, he awaited the shock of war.
The bear made several feints, slipping along by the wall from right
to left; but the bull, with his forehead almost touching the ground,
followed the enemy's movements with marvellous coolness.
In five minutes the galleries had been cleared; the noise of the crowd
taking refuge down the Jews' street was becoming more remote, and this
manoeuvring of the two huge brutes seemed as if they were meditating
a drawn battle, when suddenly the bull, losing patience, threw himself
upon the bear with the whole momentum of his monstrous bulk. The unhappy
brute, pressed so closely, took refuge under the wood-shed, but the head
and horns of his foe pursued him thither, and there no doubt he nailed
his adversary to the wall, for although I could only see the bull's
hind-quarters, I could hear a dreadful shriek, followed by a crunching of
bones, and presently a pool of blood was flowing over the pavement.
I could only see the bull's hind-quarters and his tail waving aloft like
a battle-flag. You would have thought he wanted to bring the walls down
by the furious and violent pounding of his hind-feet. That silent scene
in shadow was fearful. I did not wait to see the end. I came carefully
down my ladder, and slipped out of the court like a thief. You may
imagine with what pleasure I inhaled the pure open air; and passing
through the crowd collected round the door where the bear-leader was
tearing his hair in his wild despair, I ran off to my aunt's house.
I was just going round under the arcades when I was stopped by my old
drawing-master, Conrad Schmidt.
"Caspar!" he cried, "where are you going in such a hurry?"
"I am going to paint the great bear-fight!" I answered enthusiastically.
"Another tavern scene, I suppose," he remarked with a shrug.
"Why not, Master Conrad? Is not a tavern scene as good as one in the
forum?"
I would have said a good deal, but we were standing at his door.
"Good night, Maitre Conrad," I cried, pressing his hand. "Don't bear a
grudge against me for not going to study in Italy."
Public-domain text, read in full here on John Shaqi.
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