The Manchester and Glasgow Road, Volume 1 (of 2): This Way to Gretna GreenHarper, Charles G. (Charles George)
History
The Manchester and Glasgow Road, Volume 1 (of 2): This Way to Gretna Green
Harper, Charles G. (Charles George)
England -- Description and travel; Scotland -- Description and travel
“I bowed respectfully to his worship, gave the clerk a questionable
smile, and quitting the room, I made the best of my way to the
public-house, where I had left my bundle and stick.
“Another person had come in whilst we were away, and the landlady had
told him about the girl running off and my being taken prisoner. This
person was an attorney’s clerk, and he took up my cause earnestly,
and advised me to prosecute the constable for a false imprisonment,
he was giving me that advice when the constable returned. I pretended
to entertain the project, and when the official became aware of the
subject on which we were deliberating, he became very uneasy, and
seemed almost willing to make any compromise rather than be under
the clutches of the other ‘limb of the law.’ At length, after I had
sufficiently tormented him, I agreed to a settlement, the terms
of which were that he should pay for a quantity of ale, I and the
attorney’s clerk, whom I found to be a queer, ironical fellow,
agreeing to pay for as much to come in after his was drunk.
“We had sat here rather a considerable time, and had got into high
good humour with each other and the liquor, when the sounds of voices
and a fiddle were heard approaching the house, and in a minute after
in walked the girl we had prisoner in the morning, arm in arm with
a young fellow, who, by his speech and dress, we recognised as the
one with the patched face; in short, they were the two runaways,
followed by some half a dozen young men, two young women, and an
elderly person fiddling. They had been at church and had got wed, the
banns having been published there some months before. They were now
all ready for dancing, singing, and mirth; I scarcely ever saw a set
of happier-looking countenances; the lad was in raptures; the bride
seemed to have more self-command than any in the place. She thanked
me most gratefully for the kindly feelings I had evinced; her husband
joined her, and I found it of no use offering to break up from the
wedding party. The constable was quite reconciled, as the charge, he
said, would be taken off the township, and the ratepayers would deem it
no bad day’s work of his. The attorney offered his friendly services
in reconciling the squire’s coachman to the match, and the landlady
brought in a posset of spiced ale for the wedding feast. The fiddler
rosined his bow afresh, and played up a jig that set all the lads
a-capering. In short, we ate and drank and danced the afternoon away.
Evening followed, night came, and then the noon of night; and the last
scenes I committed to memory were the fiddler falling from his chair
and smashing his viol, and the attorney painting the constable’s face
delicately with a blacking-brush whilst the latter person was fast
asleep.
[Sidenote: _THE HAUGHTY HOSTELRY_]
Public-domain text, read in full here on John Shaqi.
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