The Manchester ManBanks, G. Linnaeus (George Linnaeus), Mrs.
General
The Manchester Man
Banks, G. Linnaeus (George Linnaeus), Mrs.
Manchester (England) -- Fiction
It has been said that Madame Broadbent had various subtle ways of
advertising her “Academy” (as the directory has it), by which she
generally contrived to “kill two birds with one stone.” One of these
would scarcely have been practicable in any but a theatrical town like
Manchester, where not even the fierceness of party politics could
close the theatre doors. She was particularly fond of a good play, and
as particularly careful of her own pocket. So she watched for such
occasions as a special benefit or “Bespeak” night, to engage one of the
dress-boxes, and take tickets for a select party of her pupils. The
young ladies—apart from all natural love of amusement and display—were
taught to regard their admission to Mrs. Broadbent’s train as a high
honour—a mark of exceeding distinction; and few were the parents so
stern or so niggardly as to refuse the four shillings for a box-ticket
when Madame invited and Miss pleaded.
The then Theatre Royal, in Fountain Street, which was opened in 1807,
under Macready’s management, and brought to the ground by fire in 1844,
was, in 1820, a building so capacious—so solidly built—it might not
fear comparison with Drury Lane. Stage, scene-rooms, dressing-rooms,
were all on an extensive scale. There were three tiers of boxes, a
large pit, and an immense gallery breaking the line of the third tier.
With the exception of the large side boxes, which were partially on the
stage, all these boxes were open to the view, having only a divisional
barrier the height of the parapet, light iron pillars supporting the
weight above. There were no chairs—only narrow, baize-covered benches,
innocent of backs. And the theatre was lighted by sperm-oil lamps,
those round the auditorium being suspended by cords over pulleys, so
as to be lowered for lighting, trimming, &c. But the glory of that
theatre, of which it was shorn at a later date, was its box-lobby, a
lofty, open promenade, wide as a street, and long in proportion, for
its one grand entrance was in Fountain Street, the other in Back Mosley
Street. Only for the step or two at either end, carriages might have
driven through, or depositing their living loads within at the saloon
doors, have turned easily and driven back.
This lobby was naturally a lounge, as well as a waiting-place for
servants and others with wraps and pattens, neither carriage nor
hackney-coaches being numerous, and the streets being—well, not quite
so clean or well-paved as at present.
Public-domain text, read in full here on John Shaqi.
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