The Manchester ManBanks, G. Linnaeus (George Linnaeus), Mrs.
General
The Manchester Man
Banks, G. Linnaeus (George Linnaeus), Mrs.
Manchester (England) -- Fiction
Let us be just: Madame Broadbent had gracious smiles and approving
words to dispense to the ultra-good, and their very rarity made them
valuable. But if she rewarded any that day, it was only that severity
might stand out in contrast. Little hearts beat, little fingers plied
industrious needles, little eyes bent over work, when Madame’s step
was heard in the entry; but when her august presence fairly filled the
room, every little damsel rose simultaneously, and saluted her entrance
with a low, formal, deferential curtsey.
Two rooms had evidently been thrown into one to give required space,
the back portion being curiously lit by a narrow small-paned window
extending along the side, high above the rows of racks and pegs. It was
the writing end of the room. Madame Broadbent occupied a seat in the
front portion, almost opposite to the door; and as she marched towards
it with more than ordinary loftiness, and beat her fan on her table
with one peremptory tap, instead of a short rapid quiver, to enforce
her command, “Attention, ladies!” the very youngest of those ladies
could interpret the signs portentously. Lucky was the young lady whose
work passed muster that morning; so many were condemned to stocks,
backboard, columns of spelling, recitations from the “Speaker” and
Thomson’s “Seasons,” lengths of open hem, back-stitching, or seaming!
At length Madame Broadbent, having dismissed ordinary business, rapped
her fan upon the table, and in a sharp peremptory tone called “Miss
Ashton!”—and Miss Ashton, who had been expecting the summons all
the morning, came forward at her bidding, but not with the ordinary
alacrity of pupilage. She had left her childhood (I had almost said her
girlhood) behind her, in the box-lobby of the Theatre Royal.
“Miss Brookes!” cried the same sharp voice; and with a painful start
the little girl who had committed such a terrible breach of decorum
before a whole theatre as to utter her impromptu commentary on the
tragedian’s art, rose, trembled, burst into tears, but was too agitated
to obey with sufficient promptitude. Her seat was on a low front form.
Madame took a step forward, stretched out her arm, and dragged the
child by the ear to the side of Augusta, then gave her a smart cuff as
an admonition to more prompt obedience another time.
Public-domain text, read in full here on John Shaqi.
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