The Manchester ManBanks, G. Linnaeus (George Linnaeus), Mrs.
General
The Manchester Man
Banks, G. Linnaeus (George Linnaeus), Mrs.
Manchester (England) -- Fiction
Most thankful was Jabez for the impulse which had directed their steps
that way when, on raising the fallen man, the light of an adjacent
oil-lamp projecting from the wall fell on his blood-stained face, and
revealed Tom Hulme, who had been drawn into that unusually disorderly
neighbourhood by like curiosity with their own, and been set upon
without provocation. He walked with pain, and they supported his steps
to the Infirmary, not finding Mr. Huertley, on whom they called, at
home. But so fertile had that evening been of serious injuries, he was
some time before he could obtain attention. Thirteen far more urgent
cases had preceded his. At length his head and cut lip were plaistered
up, a reviving draught administered, and after some examination of
bruises, and poking and pressing of his body, three of his ribs were
pronounced “broken.” His defenders were disposed to smile at the
surgeon when, besides an embrocation for bruises, he prescribed “a
succession of oatmeal poultices applied internally”—in other words, a
cushion of as much oatmeal porridge as the patient could consume, to
press the crushed ribs gently into position.
It was, however, not much of a laughing matter to Tom Hulme, or to
loving Bess, who looked aghast at this deplorable termination of a
day’s jollity. Nor was there a trace of mirth on the face of Jabez when
at parting with Ben Travis on the Mosley Street door-step, he gripped,
more in pain than pleasure, the big hand extended so cordially.
It was after midnight, but from the open windows of the still-lighted
drawing-room the thin quick ears of Jabez had caught the sound of
Augusta’s melodious voice blending with that of Laurence Aspinall
in a popular duet, although the notes of the latter were neither
so clear nor so steady as they might have been. The pallor on her
foster-son’s face Bess attributed to tender-hearted sympathy for her
injured husband; but Jabez hurried away from her oppressive thanks to
the solitude of his own chamber, where he could bury his face in his
quivering hands, and unseen wrestle with emotions of which she had no
conception.
Never had he known a day so chequered. The same sun which had looked
down at noontide on the triumph of his amateur brush, had beamed on
Augusta Ashton’s conscious cheeks, as she accepted his rival’s familiar
act of gallantry without so much as a frown. The evening had made a man
of him—lifted him into a new sphere—brought him, so to speak, nearer
to his divinity, within the radius of her smiles, the music of her
voice. She had put her small white hand within his, and blessed him
with a word or two of shy recognition; but Laurence Aspinall had again
come like a cloud between him and his sunbeam; her sweetest smiles,
her softest tones, were for the intruder; her arm had rested willingly
on his, her voice had blent with his in sentimental song, and darkness
once more shut out hope from Jabez.
Public-domain text, read in full here on John Shaqi.
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