The Manchester ManBanks, G. Linnaeus (George Linnaeus), Mrs.
General
The Manchester Man
Banks, G. Linnaeus (George Linnaeus), Mrs.
Manchester (England) -- Fiction
And yet another day or two, during which Augusta’s moods were as
variable as the gusty shadows of the sycamore, changing from wild
exuberance which rallied Ellen on her depression, and condescended
to play or dance for Sim, to a moping, moody melancholy, enlivened
by frequent showers. She was given to snatch up her hat and “run out
into the garden for a breath of fresh air,” but she generally came in
panting, as if the “run” had been literal; and sometimes she would be
found in the house when supposed out of it, and _vice versa_.
The White Hart had not yet walked away, although Jabez considered it
complete. It waited Mr. Ashton’s coming and his verdict, and stood on
the easel in the dining-room.
The morning post had brought a message to Simon Clegg concerning fruit
and vegetables for the Manchester home, and having sought him in the
kitchen-garden to deliver it, Jabez entered the house at dinner time
by the lower staircase window (frequently used for entrance and exit).
His passage through the best parlour was arrested by voices in the
room beyond, one of which he knew too well. It was that of Laurence
Aspinall. His painting was evidently under free criticism, and had been
for some time. There was some jesting at the sign-painter.
“You see, Miss Ashton, what a few touches can affect!”
The speaker had apparently made free with Clegg’s colours and brushes,
and there was a murmured sound of assent from Miss Ashton.
“Well, Barret, _Nec scire fas est omnia; Ne sutor ultra crepidam_. What
say you?”
“Yes; let the cobbler stick to his last. If this Clegg would be an
artist, let him stick to his brush; if a tradesman, let him stick to
his trade. If a man means to succeed, he must never flirt with either
art or trade. It’s just as bad as wooing two women at once.”
Jabez heard no more. The blow which had been aimed at his
art-pretensions drove him back by the way he came, and he paced the
long terrace parallel with the “Lovers’ Walk” for fully half-an-hour.
When he turned the corner of the cottage, and went in at the front
door, the critics were gone, but Aspinall’s “few touches” remained.
They had indeed given life to the White Hart. Henceforth the “cobbler”
resolved to “stick to his last.”
Ellen Chadwick had been away, with little Sim by the hand, to take some
substantial comforts to Meg’s bedridden mother. She appeared annoyed
when she heard of their masculine visitors from Buxton. Her evident
displeasure set Jabez wondering what Travis meant by “after what has
occurred,” and he wrote that afternoon for enlightenment, sending his
letter as a packet by coach, there being no second post.
Public-domain text, read in full here on John Shaqi.
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