The Manchester ManBanks, G. Linnaeus (George Linnaeus), Mrs.
General
The Manchester Man
Banks, G. Linnaeus (George Linnaeus), Mrs.
Manchester (England) -- Fiction
Ellen, a comely but not pretty girl, about seventeen, whose black eyes
and hair were her chief attractions, sat there in a purple bombazine
dress, with her sheathed scissors and College pincushion suspended by
a chain from her girdle, plying her needle most industriously. He was
not accustomed to parlours, and no doubt his bow was as awkward as his
blush; but he had a message to deliver, and he did that in a business
like manner. He had to wait until pattern after pattern was tried
against the chintz, and calculations made. Mrs. Chadwick, seeing his
eyes wander wistfully from picture to picture, courteously gave him
permission to examine them.
At once Ellen, who was sitting close under one, rose to act as
interpreter. She was recalled by the mild voice of her mother.
“Sit down, Ellen; Jabez Clegg does not require a young lady’s help to
understand those pictures—they explain themselves.”
Ellen went back to her seat and her sewing with a raised colour, and a
private impression that the rebuke was uncalled for, though she spoke
never a word. Perhaps Mrs. Chadwick thought condescension should have
its limits, and did not believe in a young lady’s impulsive civility to
an apprentice Blue-coat boy. Yet that was not like Mrs. Chadwick.
Miss Augusta had been staying with her aunt. Part of his commission
was to convoy her home; she was an only child, and too precious to
be trusted out alone, though she was in her eleventh year, and the
distance was nothing. But so many desperadoes had been let loose by the
termination of the war that crime and violence were rampant, footpads
infested highways and byways, and Cicily, Augusta’s maid—ex-nurse—was
no longer deemed a protection.
He stood before the last engraving when Augusta—in no awe of her
father’s apprentice—came dancing into the room in a nankeen dress and
tippet, a hat with blue ribands, long washing-gloves which left the
elbows bare, and blue shoes tied with a bunch of ribands.
Bright, beautiful, buoyant—she was a picture in herself; and Jabez
turned from the dingy engraving to think so. She often came tripping
into the warehouse or the kitchen, and exchanged a bright word with one
or other, and away again; but Jabez had thought of her only as a pretty
playful child until that afternoon. Joshua Brookes pointing Hogarth’s
lessons had given the one spur; that lovely brown-eyed, brown-haired
maiden, with her simple, “Come, Jabez—I’m ready,” had given another.
Public-domain text, read in full here on John Shaqi.
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