The Manhattaners: A Story of the HourVan Zile, Edward S. (Edward Sims)
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The Manhattaners: A Story of the Hour
Van Zile, Edward S. (Edward Sims)
Manhattan (New York, N.Y.) -- Fiction
Mrs. Percy-Bartlett and Gertrude Van Vleck were seated _en tête-à-tête_
in the drawing-room, talking of a quiet wedding that had taken place
recently in the inner circle. This matrimonial event had possessed
peculiar features. It was rumored, on evidence more conclusive than
gossip often enjoys, that the bride had done the larger part of the
wooing and had actually proposed to the man of her choice. What the
circumstances were that had led to this reversal of ancient custom
on the part of people to whom time-honored precedents are especially
dear nobody but the high contracting parties knew; but it was well
understood that the woman had taken the initiative, and had been
successful in her egotistic match-making. There were a good many
spinsters in society who approved of her course, but Gertrude Van
Vleck was not among them.
“But,” argued Mrs. Percy-Bartlett, “I thought, Gertrude, that you were
progressive. You seem to accept many of the new ideas, but reject
others. I am sure I can’t see why she did an unwomanly thing. In these
days there is hardly anything that can be called unwomanly--if it is
done gracefully.”
Gertrude smiled sadly as she looked into her friend’s sympathetic eyes.
They both realized that the problem they were discussing was not an
abstract question, but that, on the contrary, it possessed a concrete
and vital significance for one of them.
“I’m afraid, Harriet,” said Gertrude musingly, “that I cannot keep
up with women who are determined to be in the front ranks of the new
movement. I have too many conservative characteristics in my make-up,
inherited from my father.”
She looked about her with restless eyes, her glance seeming to appeal
to the spirit of the room in which they sat for strength and comfort.
There are many drawing-rooms in New York that combine luxury with
taste. Not a few are actually regal in their magnificence. But a
drawing-room that indicates ancestral glories, that seems to rejoice in
the fact that it is the storehouse of patrician memories, is a rarity.
The Van Vlecks’ drawing-room was a shrine sacred to the cult of true
American aristocracy. You might pooh-pooh the Van Vlecks’ coat-of-arms,
their family livery, or other outward manifestations of ancestral
pride, but only an iconoclast deluded by delirium could enter that
drawing-room without feeling the subtle influence that it exerted in
opposition to the image-breakers of to-day.
Suddenly Mrs. Percy-Bartlett broke the silence that had followed
Gertrude’s last remark.
“You sail Wednesday. You do not expect to see him before you go?”
“No. Why should I? He will not come to me again.”
“Tell me, Gertrude, how you know,” said Mrs. Percy-Bartlett gently,
taking the girl’s cold hand in hers.
“It is hard to explain,” remarked Gertrude wearily. “I understand
him so well, Harriet. He is very proud, and has such queer ideas!
He--he--don’t think me awfully conceited, Harriet--he--I’m sure he
likes me. But I never expect to see him again.”
Public-domain text, read in full here on John Shaqi.
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