The Manoeuvring Mother (vol. 2 of 3)Bury, Charlotte Campbell, Lady
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The Manoeuvring Mother (vol. 2 of 3)
Bury, Charlotte Campbell, Lady
English fiction -- 19th century
"I will be very prudent, papa," answered Christobelle, in a whisper.
The vastness of the room, and the mystery expressed in her father's
words, struck her with awe. She already felt as though silence must
reign with so much grandeur, and that liberty of speech dwelt not
in lofty apartments. She continued silently examining a portrait of
extreme beauty, which she was aware represented the Dowager Lady
Ennismore, in her youth. It still retained a considerable degree of
likeness--the eye could never change--its extraordinary expression was
there--and the haughty look, subdued by the collision of high society,
was admirably expressed in the painting. Christobelle was irresistibly
attracted by the portrait, and she gazed upon it till a door opened
near her, and roused her attention. A female attendant approached.
She was a tall, stately person, attired with peculiar neatness and
precision. She brought Lady Ennismore's compliments of welcome. Her
ladyship invited her guests to retire to their apartments. She would
have the pleasure of meeting them in the drawing-room when the great
bell pealed, and after her guests had refreshed themselves by changing
their attire.
Sir John Wetheral advanced, slightly bowing to the stately messenger.
"I believe I address an attendant of Lady Ennismore?"
"I have the honour to attend the Dowager Countess of Ennismore," was
the reply.
"Your message is from Lady Ennismore, my daughter, is it not?" observed
Sir John, anxiously.
"My message is from the Dowager Countess," replied her attendant.
"Lady Ennismore is probably from home?"
"The young Lady Ennismore is in her dressing-room," was the answer. "I
am deputed to attend Miss Wetheral to her apartment."
This was extraordinary. Was not Bedinfield the property of Julia and
her lord? Yet the message of compliment was tendered by the Countess
Dowager, as if she still presided over the mind and estate of her son.
There was something gravely suspicious in this coldly polite reception,
which disturbed the father's heart. Christobelle begged to know if her
room was situated near her father's bedchamber, and she turned to him
with a look of earnest alarm. He smiled.
"Miss Wetheral feels a little nervous among strangers; may I inquire if
the rooms destined for us are near each other?"
"They are near," was the laconic reply, and Christobelle prepared to
depart. A servant entering at the moment, to offer his services to Sir
John, they proceeded together to the great gallery, into which their
apartments opened. The stately female pointed to a heavily-carved
oak-door, as she preceded Christobelle. "Sir John Wetheral sleeps in
the crimson chamber." She then threw open the door of a large gloomy
room appropriated to Christobelle. "Yours, Miss Wetheral, is the
tapestried chamber." She then curtseyed and withdrew.
Public-domain text, read in full here on John Shaqi.
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