The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
In order to obviate the danger and loss associated with the use of
glass vessels, manufacturers who make mosaic gold in large quantity
should use an iron vessel. This will last a very long time. Such an
apparatus consists of an iron pan with a broad rim, upon which is
fastened a head which has the form of a retort neck; to this are
connected short, wide tubes leading to a chamber in which substances
not condensed in the retort neck may deposit, so that the use of this
inexpensive apparatus will not only be without danger, but will be
accompanied by the recovery of almost the whole of the volatilised
substances. The pan is filled with the materials, the head placed on,
the joint tightly luted, and the retort neck connected with the chamber
by the wide iron tubes.
There are many formulæ for the preparation of mosaic gold. Some of the
most important are given, which in every case will yield a good result:—
Tin filings 40 parts
Sulphur 35 ”
Ammonium chloride 25 ”
The tin filings, which must be very fine, are well mixed in a mortar
with the sulphur and ammonium chloride. The heating is gradual at
first; when the evolution of vapours has ceased the temperature is
very slowly increased to a dark red heat. The mosaic gold is found as
a yellow mass at the bottom of the vessel, but partly in crystalline
scales on the walls and head of the retort.
Other recipes are as follows:—
Tin dioxide 80 parts
Sulphur 60 ”
Ammonium chloride 30 ”
Tin filings 45 ”
Sulphur 35 ”
Ammonium chloride 25 ”
In all these cases the chief endeavour should be not to raise the
temperature too high; a dark red heat is sufficient to give a perfectly
satisfactory result.
When metallic mercury is used, it is employed in the form of an amalgam
with tin, which is then in such a finely divided condition that it
readily enters into chemical combination with the sulphur. The amalgam
is most simply obtained by heating 1 part of mercury almost to boiling,
and stirring 2 parts of tin filings into the hot metal; 18 parts of
this amalgam mixed with 7 parts of sulphur and 6 of ammonium chloride
are heated together.
The mosaic gold made after any of these methods may be used for gilding
gold frames or as a painter’s pigment. Much so-called gold paint
consists of mosaic gold ground with a thick gum solution.
=Chrysean.=—Wallach found that when a current of sulphuretted hydrogen
was passed through a saturated solution of potassium cyanide a
precipitate was formed, which had the formula C₄H₅N₃S₃. This substance,
chrysean, is similar in appearance to mosaic gold; its technical
employment is prevented by its extremely poisonous nature and its high
cost as compared with mosaic gold.
CHAPTER XVI.
RED MINERAL PIGMENTS.
VERMILION.
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