The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
=Casselmann’s Green= approaches emerald green in brightness. It
consists of a compound of copper sulphate with copper hydroxide
and water, CuSO₄.3Cu(OH)₂.½H₂O. This pigment is obtained by mixing
solutions of 4 equivalents of copper sulphate and 3 equivalents of
sodium acetate at a certain temperature. The author’s experiments
have shown that the best results are obtained when the solutions are
mixed at a temperature of about 100° C. With this object the solutions
are placed in vessels standing in a pan of boiling water; when their
temperatures have risen to about 100° C. they are quickly mixed, the
mixture stirred, and the precipitate allowed to settle. When the
precipitate is cautiously treated with very weak caustic soda solution
a rather deeper colour is obtained. This treatment should not be
continued too long, or the precipitate may acquire an ugly bluish shade.
=Lime Green= is a mixture of copper arsenite and calcium sulphate.
It is thus a pigment which ought no longer to be used, on account of
its poisonous properties. It is made by boiling milk of lime with
excess of arsenious acid so long as the latter is dissolved. To this
solution of calcium arsenite, copper sulphate solution is added so long
as a precipitate is formed. A mixture of copper arsenite and calcium
sulphate is precipitated.
=Patent Green= is similar in composition to lime green. A solution of
calcium acetate is made by adding quicklime or pure powdered limestone
to acetic acid; copper sulphate solution is then added, when gypsum is
precipitated and copper acetate remains in solution. A hot solution of
arsenious acid is next added, and the precipitated copper salt mixed
with the gypsum at the bottom of the vessel.
=Copper Borate.=—A pale green precipitate of copper borate is obtained
by adding a solution of 3 parts of borax to a solution of 2 parts of
copper sulphate. It must be dried at a very moderate temperature, or it
will decompose. When perfectly dry the precipitate can be heated to a
red heat without decomposition; according to the temperature employed
different shades are obtained. It is most convenient to take tests out
of the crucible from time to time during the ignition, and to quickly
cool the crucible when the desired shade is obtained. When levigated
this pigment may be used in oil, or as a porcelain colour.
=Copper Silicate (Egyptian Blue).=—When a solution of water-glass is
added to a solution of copper sulphate a pale green precipitate of
copper silicate is obtained, which can be heated to redness without
alteration. When 70 parts of white quartz sand, 15 parts of copper
oxide, 25 parts of chalk and 6 parts of soda are fused together a glass
is produced which, after pouring into water, grinding and levigating,
exhibits a pretty blue and very permanent colour. It appears from the
examination of the colours of the Egyptian mural paintings that this
pigment was already known to the ancient Egyptians.
CHAPTER XXX.
VERDIGRIS.
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