The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
When bronze powder is slowly heated in a shallow vessel the colour
begins to darken at a temperature not much above the boiling point of
water. In consequence of the fineness of the particles of the metallic
powder the copper readily takes up oxygen, and is superficially
converted into copper oxide. This oxide is of a darker colour, and thus
by this method the shade of the bronze can be deepened as desired.
This simple operation requires a certain amount of practice to produce
a product of a determined shade. The desired result is most safely
attained when the bronze is spread out quite uniformly in a thin layer
upon a metal plate, which is gently heated from below. The powder soon
begins to darken; by cooling the plate the progress of the oxidation
may be arrested at any moment.
Recently bronze powders have come into the market showing all possible
colours in the deepest shades, by the aid of which very remarkable
colour effects can be produced. These bronzes are made by dissolving
an aniline dye in a little alcohol, pouring this solution over the
powder, and mixing the dye uniformly through the whole of the bronze by
working the mass for a sufficient length of time. In this way bronze
powders are produced which possess a green, red, blue or violet lustre,
according to the colour of the dye used. These colours with metallic
lustre can also be produced by bronzing the article with a white (zinc)
bronze, and then coating it with a varnish in which the required
aniline dye is dissolved. A bronze with a fine golden red glitter is
produced by applying a golden yellow bronze and then a varnish in
which a little aniline red is dissolved. It should be observed here
that these effects, produced by a coat of varnish in which an aniline
dye is dissolved, only turn out well when the dye is used in very
small quantity, for these colours are the strongest with which we are
acquainted, and in colouring power far surpass cochineal carmine, which
is renowned for this property.
When bronze is coloured by dyes the most varied shades can be obtained
with a metallic lustre. According to Conradty a very fine blue bronze
is obtained by boiling white bronze for some hours with a weak alum
solution, washing and drying, and then mixing in a mortar with a
strong solution of aniline blue in alcohol until the solvent has
evaporated. This operation is repeated until the desired depth of shade
is obtained. The bronze is then washed with pure water. Conradty also
recommends that the coloured bronze should be ground with a little
petroleum, and then exposed to the air to allow the petroleum to
evaporate. This operation, for which no chemical reason can be given,
is quite unnecessary. If other dyes or mixtures of them are used in
place of aniline blue, bronzes of corresponding colour are obtained.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account