The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
The majority of the colouring matters used in the preparation of lakes
are of vegetable origin, but several are derived from animal sources.
The properties of the colouring matters used for this purpose vary
greatly; each material demands a special treatment for the production
of lakes. Therefore, in describing the methods by which lakes are made,
we shall give first the properties of the colouring matter in question,
and then proceed to the preparation of the lake. In the preceding
portion of the book the pigments have been arranged according to their
colour; the lakes will be described in the same order. The yellow, red
or green lakes of different origin will be treated in the same section
in order to facilitate reference to any particular pigment.
White lakes are not known, neither are there lakes which can be
described as black. With these exceptions lakes of all colours can be
made and also of all shades. As an example of this madder lake may be
given, which is found in commerce in a great variety of shades; it
can be made from the palest rose-red to the deepest purple red, or,
more properly, madder red, which is a characteristic shade. The shades
of any lake are obtained by mixing in a white pigment just as in the
manufacture of mineral pigments. Whilst, however, in the latter case
the white pigment must often be mechanically mixed with the colour, the
shading of the lakes is accomplished in their preparation. Generally
speaking, a pale shade of a lake is obtained by increasing the amount
of the salt, the oxide of which is used to precipitate the colouring
matter. The oxides in question are white (with the exception of lead
oxide); thus in the pale shades a small amount of colouring matter is
precipitated upon a large amount of oxide, whilst in the deep lakes
the reverse is the case, a large quantity of colouring matter is
precipitated upon a small quantity of oxide, and the shade thus appears
very deep.
Apart from the nature of the colouring matter contained in a lake,
and considering only the metallic oxide with which the colouring
matter is united, it appears that lakes containing lead oxide have
little durability. The combination between the colouring matter and
the metallic oxide in a lake is so loose that it is easily destroyed
by sulphuretted hydrogen; if a lake containing lead is exposed to the
action of air containing that gas the colour will, in the course of
time, inevitably blacken. The lakes containing tin are also susceptible
to sulphuretted hydrogen; in air containing but a trace of this gas
they quickly lose their brilliance and in time are quite discoloured.
Public-domain text, read in full here on John Shaqi.
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