The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
=Madder Carmine= is not often found in commerce; it consists of the
almost pure lakes of alizarin and purpurin. The process by which
this valuable pigment is produced is based upon the great stability
of the madder colouring matters. The following is the process on the
large scale: Good madder, very finely ground, is spread out in small
heaps in a room, the temperature of which is about 16° to 18° C.; the
heaps are moistened with water and left for several days. The mass
ferments and gives off a peculiar smell; in the fermentation not only
is the glucoside decomposed, but also many of the other compounds
contained in the madder, consequently the mass becomes dark and
considerably diminishes in weight. The end of the fermentation process
may be recognised by a little practice with tolerable certainty by
the disappearance of the peculiar smell; the mass is broken up and
transferred to a lead-lined vessel, in which it is mixed with three or
four times its weight of ordinary sulphuric acid. The acid is allowed
to act for several hours, the plant fibres are almost completely
charred, and the mixture becomes black. When the charred residue has
settled, the liquid is filtered through pure quartz sand or powdered
glass, and mixed with a large quantity of water. The carmine, which is
insoluble in water, separates as a red powder; it is then washed and
dried.
The colour of madder carmine is of such beauty that it can only be
compared with that of good cochineal carmine, but it is incomparably
more permanent than the latter and may be used in all varieties of
painting.
CHAPTER LVI.
MANJIT (INDIAN MADDER).
The roots of the East Indian _Rubia mungista_ contain purpurin and
another characteristic colouring matter, manjistin. This material is
a rarity in German commerce, but is imported into England from India
in tolerable amount and used in dyeing. Manjistin may be extracted
by boiling manjit repeatedly with a solution of aluminium sulphate,
uniting the liquids and acidifying strongly with hydrochloric acid. In
twenty-four hours a red precipitate forms in the liquid; it is dried
and treated with boiling carbon disulphide, which extracts purpurin
and manjistin and leaves undissolved a dark resin. The residue, after
distilling off the carbon bisulphide, gives up purpurin to dilute
acetic acid, manjistin remaining undissolved. When the purpurin has
been completely extracted, the residue is treated with a little boiling
alcohol and repeatedly recrystallised; manjistin is finally obtained in
golden yellow crystals of the composition C₁₄H₁₅O₂(OH)₂.CO₂H.
When a solution of manjistin in a little alcohol is mixed with water no
precipitate occurs; on then adding aluminium hydrate and long boiling
an orange red lake is produced. Lead acetate produces a deep orange red
lake when used in just sufficient quantity; with excess a fine scarlet
lake is obtained.
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