The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
For producing the crayons by pressing, a simple apparatus is required.
It consists of a horizontal metal cylinder with a well-fitting piston.
The front of the cylinder is closed by a metal plate in which is an
orifice of rather greater diameter than the crayons to be made. In
front of the cylinder is an endless band which moves away from it. In
using this apparatus to shape the crayons, the paste is made of such
consistency that a slight pressure forces it out of the orifice in the
front of the cylinder in a coherent rod. When the cylinder is filled
with the paste, care must be taken that it includes no air bubbles,
for these would cause the rod to break. The piston is then put in
position and the mass forced by uniform gentle pressure out of the
narrow opening. The endless band must move away at the same rate as
the rod proceeds from the cylinder, so that a long stick of the crayon
mass rests upon it. This stick is cut up by a blunt knife into uniform
lengths, which are dried upon boards covered with blotting paper, and
are then enclosed in casings similar to those of the ordinary lead
pencil. The rods must be given a rather greater diameter than they are
to possess when dry, since they shrink somewhat in drying.
The second method consists in producing a thick paste which is moulded
into blocks of the length of the crayons. These blocks are very slowly
dried at a uniform temperature, and when completely dry, are cut by a
fine saw into thin rods, which are then enclosed in a wooden case. The
powder produced in sawing is used in the next operation. This simple
process has many drawbacks. In the first place it is difficult in
drying large blocks of the crayon mass to avoid cracks, which must be
carefully filled with thin paste. Also in sawing up the blocks a large
number of rods will be broken, even with the most careful treatment
(these are again worked up with the powder produced in sawing). Thus,
generally, the formation of crayons by pressure is preferred.
It is important to dry the crayon rods so far that they do not shrink
further after they are placed in the case; otherwise they would break
up when sharpened. At times it is quite impossible to make a usable
point on such a faulty crayon.
=Crayons for Earthenware.=—Crayons for this purpose are made, according
to M. Rösler, by finely powdering colours suitable for glass and
earthenware, and mixing them to a paste with a solution of 2 parts of
gum Arabic and 1 part of Marseilles soap. Pencils are then moulded from
the paste and wrapped in a strip of paper just previously dipped in a
paste of gypsum. Upon unglazed articles or ground glass these crayons
can be used like a lead pencil. The colour is fixed by burning in the
usual manner.
CHAPTER LXVIII.
CONFECTIONERY COLOURS.
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