The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
When an accurate examination of a pigment is required, the only course
is to conduct an exact chemical analysis, which can only be done by an
expert chemist in a well-equipped laboratory. But often it is necessary
in the course of trade to decide rapidly the nature of a pigment or to
detect the adulteration of a dear pigment with a cheaper, and for this
purpose it is important to have a method of examination which can be
conducted without much apparatus, and which requires no great chemical
knowledge. It is quite possible to test the majority of pigments in a
simple manner. Few reagents are necessary. For an examination of the
mineral pigments the following are generally sufficient: hydrochloric,
nitric and sulphuric acids, caustic soda solution and ammonium sulphide.
The examination of a pigment containing organic compounds is somewhat
more difficult, especially when it is necessary to ascertain the
nature of the colouring matter. In this case additional reagents are
required—stannous chloride, alum solution, etc.
Since the present work is intended to meet the requirements of the
practical man, the behaviour of the different pigments towards
ordinary reagents is given in tabular form, the pigments of the same
colour being taken together. Since the colouring matters of organic
origin, as they occur in the lakes, require a rather more detailed
examination, the testing of pigments composed of inorganic materials
only is first given, afterwards the properties of the organic colouring
matters, so far as is necessary, will be added.
=Mineral Pigments.=—If the substance to be examined is in the form of a
dry powder, it may at once be tested with the reagents mentioned, but
if it is a paint or water colour, the oil or gum must be first removed,
otherwise it would not be possible to recognise with certainty the
action of the reagents.
From water colours, which are ground with gum Arabic or tragacanth
solution, it is easy to separate the pigment from the binding medium.
The colour is allowed to stand in a tall narrow beaker with a somewhat
large quantity of water. After some time the lumps become soft, they
are then repeatedly stirred up, the pigment allowed to deposit, and the
water, which now contains the binding medium, poured off.
Public-domain text, read in full here on John Shaqi.
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