The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
A manufacturer without chemical knowledge, who is carrying on an
industry which, like the manufacture of colours, rests entirely upon a
chemical foundation, will constantly be compelled to seek advice from
a scientific chemist. Many pigments can be made according to a settled
formula, but the results of working strictly according to the formula,
without a knowledge of the reasons for the operations, can only be
satisfactory whilst no irregularity occurs. The least irregularity
places those who work blindly in a completely helpless position, for
they do not know what is wrong and cannot remove the hindrance.
In the manufacture of pigments certain by-products are produced. These
can be utilised by a manufacturer possessed of chemical knowledge,
whilst they are simply thrown away by many, thus making the manufacture
of the particular pigment far more expensive than when the by-product
is also made valuable. Strictly speaking, there are no worthless
by-products in making pigments, every liquid obtained in precipitating
a colour might be further utilised. Salt solutions can only be
regarded as worthless by-products when the cost of separating the salt
from the solution would be greater than the value of the product. Thus
we cannot conclude this section of the work without again insisting
that the study of chemistry is indispensable to the colour maker, since
his industry is chemical from beginning to end. The colour maker who
works simply by recipes will never raise himself above the position of
an ordinary workman, who does what he is told without thinking of what
he is doing. The smallest mistake in carrying out the process generally
results in the complete failure of the whole operation and thus causes
the manufacturer material loss.
CHAPTER LXXIII.
THE DESIGN OF A COLOUR WORKS.
In the establishment of a colour works several conditions are
necessary. The most important is the supply of water in sufficient
quantity and purity. It has already been stated that many pigments
cannot be made with water containing much organic matter or salts,
since the dissolved substances affect the shade. This action not only
takes place in the formation of the colour, but is also unpleasantly
manifest when it is washed. The delicate lakes are discoloured by
organic matter in the water, and are so changed by any considerable
quantity of lime that the alteration in shade is clearly perceptible
after continued treatment. If the water contains but a very small
quantity of iron, the preparation of some pigments is made quite
impossible, since—and this is especially the case with the lakes—the
ferric oxide is precipitated together with the pigment, and in
consequence of its characteristic colour imparts to it an ugly shade.
Thus in choosing a site for a colour works the available water supply
must be carefully examined. If it is not sufficiently pure or in
sufficient quantity, the position must be regarded as unsuitable.
Public-domain text, read in full here on John Shaqi.
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