The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
In a colour works in which many pigments are made sulphuretted hydrogen
is frequently required. Since all lead pigments are blackened by this
gas, the greatest care is required in using it. Also the poisonous
nature of sulphuretted hydrogen is generally under-estimated. In
working with sulphuretted hydrogen, the apparatus depicted in Fig. 3
should be used. It should be placed in a position, such as a closed
yard, in which escaping gas will be harmless. If this cannot be done
the precipitation should be accomplished in closed vessels, from which
a pipe should carry the gas to a fire, where it will be burnt to
sulphur dioxide and water.
In most cases the manufacturer of colours makes but a certain number
of pigments and rarely or never all which are mentioned in his price
lists. The dimensions of the establishment will be in accordance. In
commencing a new colour works it is advisable from purely financial
reasons to produce at first a limited number of colours, but these
in perfection. By many experiments and diligent study of chemistry a
colour manufacturer may hope to compete successfully in so difficult a
branch of chemical technology as the manufacture of colours.
CHAPTER LXXIV.
COMMERCIAL NAMES OF PIGMENTS.
In commerce the pigments are found under the most different names, the
most common of which have been given together with the description
of the pigment. No regularity can be found in the names chosen for
the different pigments; quite arbitrary designations have been taken.
Pigments are most commonly named after places—for example, Prussian
blue, Paris blue, Bremen green; also after the discoverer—Turnbull’s
blue, Hatchett brown. Whilst these names give the place of production
or the name of the discoverer, and thus have some foundation, there are
many others for which no reason can be assigned, _e.g._, King’s yellow.
Certain names are based upon the chemical composition of the pigment.
These should be used by preference, but now that the expressions white
lead, chrome yellow and Chinese blue have become common no one would
think of speaking of basic lead carbonate, lead chromate or ferric
ferrocyanide. The confusion in the nomenclature of colours is increased
by placing pigments which possess English names upon the market under
French, German or Latin names, which are often sadly mutilated. This is
more the case in Germany than in England.
It may easily happen that a reader of a work on colour making might
search in vain for a pigment whose name he had somewhere heard, whilst
the book contained a description of the colour and its properties,
but under another name. To remove this difficulty it has been thought
necessary to collect the names of the different pigments, which are
contained in the following table. The French and German names are also
given. The most usual names are printed in italics.
WHITE PIGMENTS.
Public-domain text, read in full here on John Shaqi.
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