The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
Common usage differs from the scientific in the description of colours.
In the physical sense, yellow, red and blue are the so-called “simple
colours,” between which lie orange, green and violet as “mixed
colours”. Physics knows no white colour and no black colour, but
describes white as a mixture of all the simple colours and black as
the absence of colour. A grey or brown shade, produced by different
mixtures of simple colours, is just as little known in the scale of
colours as white or black.
The colour maker follows, as we have said above, the common manner of
speaking; to him white and black are equally as much colours as red
and green. Besides the pure principal colours (yellow, red and blue),
and the mixed colours obtained from them (orange, green and violet),
colour makers distinguish many shades of each colour—lemon yellow,
sulphur yellow, cherry red, blood red, violet blue, etc. For the
present purpose it is of great importance to accurately distinguish
the several shades, for the value of many colours is in proportion to
their beauty of shade. The colour maker is often required to produce a
colour of some particular shade, which he accomplishes in many cases by
a suitable alteration in the process by which the colour is made, in
other cases by mixing different colours, in which event chemistry is
of no help to him; he must depend on the sensitiveness of his eyes to
colour.
=White Mineral Pigments.=—We are acquainted with a great number of
white or, more properly, colourless mineral compounds; they possess the
property of reflecting, undecomposed, all the rays of light which fall
upon them, in consequence of which they produce that impression upon
the eye which we call white. According as a white substance reflects
every ray of light or absorbs a portion, we see it as a brilliant pure
white or, in the latter case, as a white with a grey tinge. If a white
body reflects the majority of the rays of light falling on it, but
decomposes a small number, we perceive a white which has a yellow, blue
or red tinge.
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