The Manufacture of Paper: With Illustrations, and a Bibliography of Works Relating to Cellulose and Paper-MakingSindall, R. W. (Robert Walter)
History
The Manufacture of Paper: With Illustrations, and a Bibliography of Works Relating to Cellulose and Paper-Making
Sindall, R. W. (Robert Walter)
Papermaking
All papers are improved in strength by glazing up to a certain point,
but over-glazing crushes the paper, renders it brittle and liable to
crack. Unfortunately, the maximum strength of a paper is generally
reached before the maximum of finish, with the result that the former
is frequently sacrificed to the latter. The usual result of glazing
is found in an increase of 8 to 10 per cent. in the tensile strength,
but a diminution of elasticity to the extent of 8 to 10 per cent. With
supercalendered magazine papers, the high surface is imparted for the
sake of the illustrations which are produced by methods requiring it.
The addition of considerable quantities of clay or mineral substances
improves the finish, so that the question of the relation of glazing
to strength, surface, and loading is one which affects the subject of
deterioration of paper very materially. With writing paper the false
standard of an "attractive" appearance is almost universally accepted
by the public as the basis of purchase without any reference to actual
quality.
_Mineral Substances._--China clay, sulphate of lime, agalite and other
inert mineral substances are important factors in lowering the quality
of paper, not so much in promoting the actual deterioration of paper
by any chemical reaction with the fibres, as in making the paper less
capable of resistance to the influence of atmospheric conditions and
ordinary usage. Clay in small, well-defined quantities serves a useful
purpose, if added to some papers, because it favours the production
of a smooth surface, but when the combination of mineral substances
is carried to an extreme, then the result from the point of view of
permanence is disastrous. This is well recognised by all paper-makers,
and in Germany the limits of the amount of clay or loading in
high-grade paper have been rigidly fixed. In the case of _imitation
art_ paper, which contains 25 to 30 per cent. of its weight of clay,
the strength and resistance of the sheet is reduced to a minimum. The
paper falls to pieces if slightly damped, the felting power of the
fibres being rendered of no effect owing to the weakening influence of
excessive mineral matter. This paper is used chiefly for catalogues,
programmes, circulars, and printed matter of a temporary and evanescent
character, and so long as it is confined to such objects it serves
a useful purpose, being cheap, and suitable for the production of
illustrations by means of the half-tone process; but its lasting
qualities are of the lowest order. The addition of 10 per cent. of any
mineral substance must be regarded as the maximum allowance for papers
intended for permanent and frequent use.
_Coating Material._--The ingenious method for producing an absolutely
even surface on paper by the use of a mixture of clay or other mineral
substance and an adhesive like glue or casein brushed on to the surface
of the paper, is responsible for many of the complaints about the
papers of the present day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account