“Our hearts will always be together.”
“Come to me then, Philip, come to me!”
“The purest part of our hearts--our souls----”
“But I want _you!_ Will you drive a girl to shame herself again? I want
_you_, Philip! I want your eyes that I may see them every day; and
your hair, that I may feel it with my hands; and your lips--can I help
it?--yes, and your lips, that I may kiss and kiss them!”
“Kate! Kate! Turn your eyes away. Don't look at me like that!” She was
fighting for her life. It was to be now or never.
“If you won't come to me, I'll go to you!” she cried; and then she
sprang upon him, and all grew confused, the berries of the nightshade
whipped his forehead, and the moon and the stars went out.
“My love! My darling! My girl!”
“You won't go now?” she sobbed.
“God forgive me, I cannot.”
“Kiss me. I feel your heart beating. You are mine--mine--mine! Say you
won't go now!”
“God forgive us both!”
“Kiss me again, Philip! Don't despise me that I love you better than
myself!”
She was weeping, she was laughing, her heart was throbbing up to her
throat. At the next moment she had broken from his embrace and was gone.
“Kate! Kate!”
Her voice came from the tholthan.
“Philip!”
When a good woman falls from honour, is it merely that she is a victim
of momentary intoxication, of stress of passion, of the fever of
instinct? No. It is mainly that she is a slave of the sweetest,
tenderest, most spiritual and pathetic of all human fallacies--the
fallacy that by giving herself to the man she loves she attaches him
to herself for ever. This is the real betrayer of nearly all good women
that are betrayed. It lies at the root of tens of thousands of the cases
that make up the merciless story of man's sin and woman's weakness.
Alas! it is only the woman who clings the closer. The impulse of the
man is to draw apart. He must conquer it or she is lost. Such is the
old cruel difference and inequality of man and woman as nature made
them--the old trick, the old tragedy.
XXIV.
Old Mannanin, the magician, according to his wont, had surrounded
his island with mist that day, and, in the helpless void of things
unrevealed, a steamship bound for Liverpool came with engines slacked
some points north of her course, blowing her fog-horn over the
breathless sea with that unearthly yell which must surely be the sound
whereby the devil summons his legions out of chaos.
Presently something dropping through the dense air settled for a moment
on the damp rope of the companion ladder, and one of the passengers
recognised it.
“My gough! It's a bird, a sparrow,” he cried.
At the same moment there was a rustle of wind, the mist lifted, and a
great round shoulder rose through the white gauze, as if it had been the
ghost of a mountain.
“That's the Isle of Man,” the passenger shouted, and there was a cry
of incredulity. “It's the Calf, I'm telling you, boys. Lave it to me to
know.” And instantly the engines were reversed.
Public-domain text, read in full here on John Shaqi.
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