They stepped out. Pete held the light while Philip mounted, and then he
guided him, under the deep shadow of the old tree, to the road.
“Fine night for a ride, Phil. Listen! That's the churning of the
nightjar going up to Ballure glen. Well, good-night! Good-night, and God
bless you, old fellow!”
Kate inside heard the deadened sound of Philip's “Goodnight,” the crunch
of the mare's hoofs on the gravel and the clink of the bit in her teeth.
Then the porch door closed with a hollow vibration like that of a vault,
the chain rattled across it, and Pete was back in the room.
“_What_ a night we've had of it! And now to bed.”
XII.
Kate was up early the next morning, but Pete was stirring before her. As
soon as he had heard the news of Philip's appointment he had organised
a drum and brass band to honour the day of the ceremony. The brass had
been borrowed from Laxey, but the drum had been bought by Pete.
“Let's have a good sizable drum,” said he; “something with a voice in
it, not a bit of a toot, going off with a pop like bladder-wrack.”
The parchment was three feet across, the steel rings round it were like
the hoops of a dog-cart, and the black drumsticks, according to Pete,
were like the bullet heads of two niggers. Jonaique Jelly played the
clarionet, and John the Widow played the trombone, but the drum was the
leading instrument. Pete himself played it. He pounded it, boomed it,
thundered it. While he did so, his eyes blazed with rapture. A big
heroic soul spoke out of the drum for Pete. With the strap over his
shoulders, he did not trouble much about the tune. When the heart
Leapt inside his breast, down came the nigger heads on to the mighty
protuberance in front of it; and surely that was the end and aim of all
music.
The band practised in the cabin which Pete had set up for a summer-house
in the middle of his garden. They met at daybreak that morning for the
last of their rehearsals. And, being up before their morning meal, they
were constrained to smoke and drink as well as play. This they did out
of a single pipe and a single pot, which each took up from the table in
turn as it fell to his part to have a few bars' rest.
While their muffled melody came to the house through the wooden walls
and the dense smoke, Kate was cooking breakfast. She did everything
carefully, for she was calmer than usual, and felt relieved of the load
that had oppressed her. But once she leaned her head on the mantelshelf
while stooping over the frying-pan, and looked vacantly into the fire;
and once she raised herself up from the table-cloth at the sound of the
drum, and pressed her hand hard on her brow.
Public-domain text, read in full here on John Shaqi.
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