She closed her eyes and went on: “Do you hear that--that patter like
soft rain? That's oats nearly ripe for harvest. Do you hear that,
then--that pit-a-pat, like sheep going by on the street? That's wheat,
just ready. And there--that whiss, whiss, whiss? That's barley.”
She opened her eyes: “Don't you think I'm very clever?”
Philip felt an impulse to lean over the wheel and put his arms about the
girl's neck.
“Take care,” she cried merrily; “your horse is shying.”
He gazed at her face, lit up in the white moonlight. “How bright and
happy you seem, Kate!” he said with a shiver; and then he laid one hand
on the gig rail.
Her eyelids quivered, her mouth twitched, and she answered gaily, “Why
not? Aren't you? You ought to be, you know. How glorious to succeed? It
means so much--new things to see, new houses to visit, new pleasures,
new friends----”
Her joyous tones broke down in a nervous laugh at that last word, and he
replied, in a faltering voice, “That may be true of the big world over
yonder, Kate, but it isn't so in a little island like ours. To succeed
here is like going up the tower of Castle Rushen with some one locking
the doors on the stone steps behind you. At every storey the room
becomes less, until at the top you have only space to stand alone. Then,
if you should ever come down again, there's but one way for you--over
the battlements with a crash.”
She looked up at him with startled eyes, and his own were large and full
of trouble. They were going through Kirk Michael by the house of the
Deemster, who was ill, and both drew rein and went slowly. Some acacias
in the garden slashed their broadswords in the night air, and a windmill
behind stood out against the moon like a gigantic bat. The black shadow
of the horses stepped beside them.
“Are you feeling lonely to-night, Philip?”
“I'm feeling----”
“Yes?”
“I'm feeling as if the dead and the living, the living and the dead--oh,
Kate, Kate, I don't know what I'm feeling.”
She put her hand caressingly on the top of his hand. “Never mind, dear,”
she said softly; “I'll stand by you. You shan't be _alone_.”
XVIII.
It was midday, then, on the tropic seas, and the horizon was closing in
with clouds as of blood and vapours of stifling heat. A steamship was
rolling in a heavy swell, under winds that were as hot as gusts from an
open furnace. Under its decks a man lay in an atmosphere of fever and
the sickening odour of bandages and stale air. Above the throb of the
engines and the rattle of the rudder chain he heard a step going by his
open door, and he called in a feeble voice that was cheerful and almost
merry, but yet the voice of a homesick boy--
“How many days from home, engineer?”
“Not more than twenty now.”
“Put on steam, mate; put it on. Wish I could be skipping below and
stoking up for you like mad.”
Public-domain text, read in full here on John Shaqi.
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