The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
I therefore resolved upon engaging her to appear as "Carmen." In
distributing the parts I well recollect the difficulties I had to
encounter. On sending Campanini the _rôle_ of "Don José" (in which he
afterwards became so celebrated), he returned it to me stating he would
do anything to oblige, but could not think of undertaking a part in an
opera of that description where he had no romance and no love duet
except with the _seconda donna_. Shortly afterwards Del Puente, the
baritone, entered, informing me that the part of "Escamillo," which I
had sent him, must have been intended for one of the chorus, and that he
begged to decline it.
In vain did Sir Michael Costa order the rehearsals. There was always
some trouble with the singers on account of the small parts I had given
them. Mdlle. Valleria suggested that I should entrust the part of
"Michaela" either to Bauermeister or to one of the chorus; as on no
account would she undertake it.
This went on for some time, and I saw but little prospect of launching
my projected opera. At length, by force of persuasion, coupled with
threats, I induced the various singers, whether they accepted their
parts or not, to attend a general rehearsal, when they all began to take
a great fancy to the _rôles_ I had given them; and in due course the
opera was announced for the first representation, which took place on
the 22nd June.
The receipts for the first two or three performances were most
miserable. It was, in fact, a repetition of what I had experienced on
the production of _Faust_ in 1863, and I frankly confess that I was
forced to resort to the same sort of expedients for securing an
enthusiastic reception and thus getting the music into the heads of the
British public, knowing that after a few nights the opera would be sure
to please. In this I was not mistaken, and I closed my season with
flying colours.
CHAPTER XIV.
FIRST AMERICAN CAMPAIGN--DIFFICULTIES OF EMBARKATION--CONCERT ON
BOARD--DANGEROUS ILLNESS OF GERSTER--OPERA ON WHEELS--"THE
DRESSING-ROOM ROW"--A LEARNED THROAT DOCTOR--GERSTER SINGS BEFORE
HER JUDGE--THE PIANOFORTE WAR--OUR HURRIED DEPARTURE.
Public-domain text, read in full here on John Shaqi.
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