The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
I was beside myself, and I am afraid rather rude at the moment to those
in attendance. However, I insisted upon taking the matter entirely into
my own hands. I commenced by opening the tops of the windows so as to
let the odour out, and dispatched the sister to get me a bottle of
soda-water, together with some sal-volatile, also a bottle of strong
smelling salts. By raising Mdme. Gerster's head I got her to take the
soda-water and sal-volatile, and at each respiration I took good care to
place the smelling-bottle to her nose, but all to no effect. She was in
a state of semi-unconsciousness.
I, however, insisted upon raising her (it being then a quarter past
seven), and by the aid of the maid I put a large shawl over her, and
carried her off in my arms to the carriage, which I had ordered to be at
the door, and took her over to the Academy, where I seated her on a
chair. She now swooned on to the dressing-table.
Whilst I continued to apply the smelling-bottle I gave directions to the
theatrical hair-dresser to be careful to come gently in and comb out her
back hair and plait in the little tails which are sometimes added by
prime donne. It was about twenty minutes to eight when Arditi came into
the room, accompanied by the call-boy, and both looked upon the matter
as hopeless. I, however, begged the maestro to go into the orchestra,
and to leave the rest to me.
I got her to stand upright; but when I suggested the idea of singing
"Elsa" she sighed, and said--
"It is utterly useless. It is just eight o'clock, and the tails are not
in my hair."
I thereupon informed her that during her unconscious state I had
carefully had the tails combed in. This brought a faint smile to her
face, and I at once saw that there was still a chance of my opera going.
I led her to the entrance, when she went on accompanied by her
attendant maidens. I then drew a long breath and went back to finish my
dinner, knowing now that the opera would continue.
Long before the first act was completed Mdme. Gerster's energies had
returned. She was in full possession of her marvellous vocal powers, and
a triumphant evening was the result of my labours.
About this time I commenced autumn Sunday evening concerts, in which the
whole of my singers took part, the first portion of the evening
beginning, as a rule, with a fine performance of Rossini's _Stabat
Mater_, Valleria, Cary, Campanini, Galassi, and Novara singing the music
very effectively. The houses were invariably crowded to the roof.
About this time, I settled a grand opera festival for Cincinnati the
ensuing spring, in conjunction with the College of Music, and for that
purpose organized a chorus of some 400 extra voices, and an orchestra of
some 150 musicians; after which I left for Chicago to confer with
Colonel George Nichols as to the arrangements.
Public-domain text, read in full here on John Shaqi.
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