The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
As the ballot system had just been introduced when Mr. W. H. Smith was
for the first time returned, I cannot, of course, say to what extent my
advocacy and aid may have benefited him. But I hope, as before observed,
that I did something towards securing his presence in Parliament.
On my arrival in London I was notified that the Royal Italian Opera,
Covent Garden, Limited, had not yet been floated. But this result was
daily expected. I was precluded then from taking further steps towards
opening my London season of 1882, fearing that the Company might be
floated just as I started, in which case I should have to close up
again.
In the meantime, fire insurances, poor rates, and taxes generally kept
on accumulating, and although I notified that I was ready to hand over
possession of the theatre, I still could get no reply. The consequence
was that I had to pay all sorts of arrears whilst an action for
ejectment was brought against me for having been a few days late in
paying the fire insurance. My landlord, in order to keep his superior
lease straight with the Woods and Forests, had also paid it, so that the
Company received the money twice over. Considerable battles hereupon
commenced in the law courts with a view of ejecting me from my theatre,
and it was not till late in the season that the long-expected
notification came that the Company had been floated.
The consideration I was to receive consisted of a payment of £2,500 in
cash and 1,000 fully paid up £10 shares in the new Company. I need
hardly inform the reader that I never saw one of the shares, and could
never get them; whilst all the cash that I received was consumed in
paying off the arrears of ground rent of Her Majesty's Theatre,
insurance, etc., whilst I was waiting for the Company to be floated.
The main object of the Gyes and of the new Royal Italian Opera, Covent
Garden, Limited, was to obtain possession of the new Metropolitan
Opera-house, New York, which was then approaching completion. By the
terms of my agreement with the Academy of Music in New York I was
prohibited from parting with or assigning my interest or any part
thereof in that building during the remaining portion of my tenancy,
which still had two years to run. The agreement in reference to my
services for the next season at the Academy had to be drawn so as to
make it appear that I had not in any way parted with my interest or any
portion thereof; although by another agreement it was stipulated that I
ran no pecuniary risks whatever in connection with the approaching
season, simply receiving my personal expenses, my salary of £1,000 a
year, and my 50 per cent. of the profits, while retaining, as hitherto,
the sole direction of the whole concern.
Public-domain text, read in full here on John Shaqi.
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