The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
The most expensive of Mdlle. de Murska's pets were probably the parrots.
They flew about the room, perching everywhere and pecking at everything.
Once at the Queen's Hotel, Birmingham, they tore with their beaks the
kid off a valuable set of chairs, for which the hotel-keeper charged
£30. The hotel bill of this reckless prima donna was always of the most
alarming kind. She had the most extraordinary whims, and when Signor
Sinico, Mdme. Sinico's first husband, in order to show the effect of
parsley upon parrots, gave to one of Mdme. de Murska's birds enough
parsley to kill it, nothing would satisfy the disconsolate lady but to
have a post-mortem examination of the bird's remains. This was at
Glasgow, and the post-mortem was made by two very grave, and I have no
doubt very learned, Scotch practitioners. Finding in the parrot's maw
some green matter for which they could not satisfactorily account, they
came, after long deliberation, to the conclusion that the bird had been
eating the green wall-paper of the sitting room, and that the arsenic
contained in the colouring matter had caused its death. The cost of this
opinion was three guineas, which Mdlle. de Murska paid without a murmur.
I again returned to Drury Lane for my London season of 1875. After
lengthy negotiations with a great Italian tragedian, engagements were
signed, and he duly arrived in London, and appeared the second night of
my season in the character of "Otello." I need scarcely say that this
tragedian was Salvini, who at once struck the public by his magnificent
delineation of Shakespeare's hero. I was now compelled to open my
theatre seven times every week (four for opera, three for tragedy), from
the early part of March until the latter end of July. I produced various
works, notably Wagner's _Lohengrin_, in which Mdlle. Titiens, who very
kindly undertook the _rôle_ of "Ortruda," really excelled herself. This,
with Mdlle. Christine Nilsson as "Elsa," Campanini as the "Knight of the
Swan," and Galassi as "Telramund," with an increased orchestra under Sir
Michael Costa's able direction, caused me to increase the prices of
admission; and even then it was impossible to get a seat during the
remainder of the season.
About this time the usual annual proposals were made for Mdlle.
Titiens's services at a series of concerts to be given in the United
States of America, by which she was to receive £160 a night guaranteed,
and half the receipts beyond a certain amount. After some time I
consented to this arrangement.
At the close of Salvini's engagement I handed him £8,000 for his
half-share of the profits, retaining a like amount for myself.
Public-domain text, read in full here on John Shaqi.
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