The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
I cannot, however, say that the wolves of the law are worse in America
than in other countries. They bear the same honoured names that one is
accustomed to among the members of the profession in happy England. I
was interested, moreover, to learn that the Levys, the Isaacs, the
Aarons, and the Solomons of the United States are all related to the
Levys, Isaacs, Aarons, and Solomons of our own favoured land. I had so
much to do with them, from the beginning of the retreat from Frisco
until my arrival at New York, and the eve of my departure for Europe,
that they ended by treating me as their friend, and made me free of
their guild. They entertained me also at dinner, and gave me a badge;
and when my health was drunk I was assured that in future I should be
treated like a brother: for, said the speaker, referring to the fact
that I myself was now a Sheriff, "Dog doesn't eat dog."
To return to my story, contracts having been given out for repairing the
roads and repaving the city, in consequence of some league amongst the
various contractors all the streets had been left unpaved at the same
time; and as soon as every paving stone was up a general strike took
place. It was impossible for a carriage to pass along anywhere without
getting upset by the hillocks of stones. Suddenly we heard that the
anarchists were rising, and now the city was filled with State militia
accompanied by numerous Gatling guns for the purpose of clearing the
streets. These things in combination so injured the business of the
Opera that the theatre was empty every night. In many instances
choristers were afraid to go through the streets to fulfil their duties.
We were now rejoined by Mdlle. Fohström, also by Mdme. Nordica; but all
looked very unpromising. Our previous mishaps had been so much written
about, telegraphed, and in every way exaggerated by the various papers,
that all confidence seemed to have been withdrawn from us, and it was
with the greatest possible difficulty we could carry through our
performances.
As if in imitation of the paviours of Cincinnati, portions of my Company
now began to strike. First the band struck, then the chorus, then the
ballet.
One night, when _Lucia di Lammermoor_ was being played, a delegation of
choristers notified me that unless all arrears were paid up they would
decline to go on the stage. Argument was useless. The notification was
in the form of an ultimatum. The choristers would not even wait until
the close of the performance for their money, but insisted upon having
it there and then.
Public-domain text, read in full here on John Shaqi.
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