The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
At the end of some three weeks we learned that Sergeant Smith, the
commissionaire who jumped out of the window in his shirt, had been
discovered comfortably asleep and unhurt. Some difficulty was
experienced in marching him along in the costume in which he then was to
the hospital, whither it was thought prudent first to take him until
some clothing could be provided. Whilst he was detained there a lady who
had come to visit a sick gardener recognized the sergeant as having
crossed on the same boat with her some six months previously. He readily
accepted her offer of the vacant place, and forthwith began work; and it
was only after many inquiries as to how the missing body had been
disposed of that we discovered the man was still alive. On this being
made known several articles came out in various journals, some giving
the life of Sergeant Smith, and saying where and how he had won his
numerous medals, whilst others expatiated generally on the valour and
endurance of the British army.
In due course the gallant sergeant joined the main body and donned his
uniform.
While we were at Chicago another Opera Company, calling itself the
Milan Grand Italian Opera Company, was giving performances, and an
amusing incident happened during a representation of _Lucia_. The
audience was waiting for the appearance of the heroine in the third act.
But they waited and watched in vain. The chorus stood in mute amazement,
while the musicians in the orchestra looked somewhat amused. The
audience stamped their feet and clapped their hands, while the gallery
hissed repeatedly. The curtain was rung down, and there was a wait of a
few minutes, when finally Signor Alberto Sarata, the manager of the
Company, appeared on the stage, and said that Miss Eva Cummings, who had
been singing the part of "Lucia," had suddenly become ill, and was quite
unable to continue her performance. The opera would, therefore, go on
without her. He had scarcely finished speaking when "Lucia" herself came
on to the stage, and declared that she was in perfect health, and that
she wanted her salary. This announcement was received with mingled
cheers and hisses.
The prima donna bowed gracefully first to one side of the house, then to
the other, and was about to follow the manager, who had already left the
stage, when she found that the curtain was held fast by invisible
forces. From one exit she went to the other, but still was unable to
escape from the presence of the public.
"I will get off this time, anyhow!" she exclaimed, and with a rush
pushed the curtain back. The invisible forces still resisted; but after
a time "Lucia" succeeded in making her way to the wings.
Then the curtain went up, and "Edgardo" began to bewail the death of a
"Lucia" who had not died.
Towards the close of our Chicago engagement attachments, writs,
summonses, etc., began to fall thick and fast, which had to be dealt
with speedily in order to ensure our departure.
Public-domain text, read in full here on John Shaqi.
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