The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
I waited until eight o'clock for the arrival of Mdme. Patti, her room
being prepared for her; but no message was sent, nor any notification
whatever, that she was not coming down. After the previous
disappointments the public had met with I could not find heart to close
the theatre. I, therefore, informed the numbers who were then getting
out of their carriages and gradually filling the grand vestibule that I
would perform the opera of _Carmen_, and that I invited all present to
attend as my guests; adding that their money would be returned to them
on presentation of their tickets. This, of course, it was.
As to the gratuitous representation of _Carmen_ (with Trebelli in the
principal part), it went off admirably. The audience was numerous and
enthusiastic; and among the distinguished persons who honoured me with
their presence, was, I remember, H.R.H. the Duchess of Edinburgh.
I wrote to Mdme. Patti the following day, entreating her not further to
disappoint the public, and to stand by the announcement Signor Nicolini
had given me of her appearance the following Tuesday in _Il Barbiere_.
To this I had no reply; and I afterwards learned that Mdme. Patti had
gone off by a special morning train to Wales, to avoid meeting the
chorus and _employés_ who, hearing of her probable flight, had assembled
in large bodies at Paddington to give her a manifestation of their
disapprobation.
I was now placed in a most difficult position, and left to struggle on
as best I could, having some three weeks' rent still to pay for the use
of the theatre until the end of the month; together with the salaries of
singers, choristers, bill-posters, supernumeraries, orchestra, etc.,
etc. These unfortunate people were actually following me in the street,
clamouring for money. There were, moreover, some sixty Italian
choristers, whose travelling expenses had to be provided for to send
them home to Italy. In fact the Opera Colonnade had become a regular
Babel, and it was only by dint of hard work amongst my numerous friends
that I was enabled to collect funds and see the last of my chorus
singers depart.
This affair threw me into contact with several supernumeraries as well
as bill-board men, and I was very much interested to hear their
different histories. One man, who had been a "Sandwich," gave me the
following account of his life:--
THE "SANDWICH'S" STORY.
Public-domain text, read in full here on John Shaqi.
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