The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
"And here is a gentleman," pointing to Angelo, "who has genuine
_vermuth_ of the finest quality and will sell you as much as you like
for two dollars a bottle."
The bar-keeper thought, with reason, that an eminent Italian tenor like
Campanini must know good _vermuth_ from bad, and at once bought from
Angelo a case or two of the true _vermuth di Torino_.
Angelo, in addition to his other talents, is a first-rate cook, and in
the preparation of certain Italian dishes, dear to those born in the
"land of song," has scarcely an equal. He was too important a personage
to act as cook to any one singer; but on the Atlantic passage he would
take a pound a-head from some thirty different vocalists in order to see
that each of them was provided with Italian cookery during the voyage.
Angelo made most of his money, however, by speculating in opera tickets
during my Patti seasons. He had, of course, peculiar facilities for
getting (unknown to me) almost as many tickets as he wanted at
box-office prices; and he could count as a matter of certainty on
selling them at enormous premiums--often as much as two or three pounds
a-piece.
During the retreat from Frisco, seeing that there would be a scarcity of
food along the line, he laid in a stock of provisions, which he retailed
at enormous profits.
Angelo had made himself a prominent figure in connection with my
Company, and was frequently spoken of in the newspapers. On our arrival
at New York he waited upon the Secretary of the Academy, as I found out
some time afterwards, and actually took the building from him for a
season of opera, which was to begin in the following October. He
accompanied us, however, to London as though nothing had happened. He
returned at the appointed time to America, taking with him a company
which included Mdme. Valda, Giannini, and others. When his prospectus
came out I noticed two announcements which struck me as strange in
connection with his costumes and music. The former, said the prospectus,
had been "lent" by Zamperoni, the latter by Ricordi and Mdme. Lucca.
They would not, then, be liable to seizure. He had taken the precaution
to secure what he considered a proper reception at New York. Thus he had
hired a steam tug with a brass band on board. This excited the mirth of
all the New York journals.
When the season began Angelo on the opening night occupied my box,
wearing for the first time in his life a white shirt; and it was noticed
that when he made memoranda on his cuffs he now did so with a black lead
pencil.
After the first week, the salaries having become due, the theatre
closed, and the would-be impresario found himself surrounded in his
hotel by infuriated choristers, who, with drawn stilettos presented,
formed a veritable _chevaux de frise_ in front of him. Angelo appeared
himself at the second floor window in order to hold parley with his
aggressors at a safe distance, and for some days he remained confined to
his hotel.
Public-domain text, read in full here on John Shaqi.
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