The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
We reached Leicester some four days afterwards. On the Company arriving
in a body at the hotel, the hostess looked at us with amazement, and
asked me if I had not come to the wrong town, since no announcement
whatever had appeared as to any concert taking place. I thereupon made
inquiries and found the landlady's statement to be perfectly true. All
the printed matter--bills and programmes--previously sent on was
discovered hidden away; and the person who had undertaken the
arrangement of the concert, being in difficulties, had been unable even
to announce our coming in the newspapers.
I, of course, insisted upon giving the concert, and as evening
approached some half-dozen people who were accidentally passing
purchased tickets. The performance proceeded in due form, and Ravelli,
much to his disgust, obtained an encore from his audience of six.
In a hall adjoining I heard excellent singing, as if from a large
chorus. I at once saw a way of giving encouragement to my artists, who
were going on with the concert. On entering I found that the local
Philharmonic Society was practising. It included many of the leading
ladies and gentlemen of Leicester, and numbered altogether some two or
three hundred singers.
I told the conductor that a capital concert was going on in the
adjoining hall, to which I invited all present. If he would suspend the
rehearsal they could go and help themselves to the best seats. Great
astonishment was evinced amongst the six members of our public when they
suddenly found the room filling with a well-dressed and distinguished
audience, who were so delighted with the excellence of the performance
that they encored every piece. Prior to the close of the concert I
thought it was better to address a few words to my visitors, in which I
stated that the concert, having been given secretly, without the
knowledge of the town, I should look upon it as a private rehearsal
only; and that it was my intention to return to Leicester some two or
three weeks afterwards, when the public performance would take place. On
leaving the hall my new audience booked some £20 or £30 worth of seats
to make sure of obtaining places at my next visit.
When I returned shortly afterwards the Concert Hall was packed from
floor to ceiling, and I was even requested to come back and give a third
entertainment. The Press declared that no better concert had ever been
given in Leicester.
We afterwards visited Cheltenham, Bristol, Exeter, and some twenty other
cities, in each of which we were considerably handicapped by amateurs
giving concerts for the entertainment of other amateurs; neither
performers nor listeners seeming to have any high idea of art.
Public-domain text, read in full here on John Shaqi.
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