The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
"After the first few bars of recitative, she launched boldly into the
cavatina--one of the most difficult pieces of the opera. This she sang
perfectly, displaying a thorough Italian method and a high soprano
voice, fresh and full and even throughout. In the succeeding cabaletta,
which was brilliantly executed, Miss Patti took the high note E flat,
above the line, with the greatest ease. In this cabaletta we noticed a
tendency to show off vocal gifts which may be just a little out of
place. The introduction of variations not written by the composer is
only pardonable in an artist who has already assured her position. In
the duet with the tenor (Brignoli) and with the baritone (Ferri), and
the mad scene, Miss Patti sang with sympathetic tenderness--a rare gift
in one so young--and increased the enthusiasm of the audience to a
positive _furore_, which was demonstrated in the usual way--recalls,
bouquets, wreaths, etc., etc. The horticultural business was more
extensive than usual.
"Of course we speak to-day only of Miss Patti's qualifications as a
singer. Acting she has yet to learn; but artists, like poets, are born,
not made. The mere _convenances_ of the stage will come of themselves.
She is already pretty well acquainted with them. So far as her voice,
skill, method, and execution are concerned, we are simply recording the
unanimous opinion of the public when we pronounce the _début_ of Miss
Patti a grand success.
"Everyone predicts a career for this young artist, and who knows but the
managers may find in her their long-looked-for sensation?"
On repeating the character two days afterwards, said the same paper,
"the prima donna was twice called before the curtain, and the stage was
literally covered with the flowers thrown before her. The success of
this artist, educated and reared amongst us, with all the vocal gifts of
an Italian, and all the cleverness of a Yankee girl, is made. Everybody
talked of her, wondering who and what she is, where she has been, and so
on.
"She was brought out at the Academy to save the season. The manager had
a good Company, plenty of fine artists, everything required for fine
performances, but the great outside public, always thirsting for
something new, wanted a sensation.
"They have it in 'Little Patti,' who not only pleases the connoisseurs
and is the special favourite of the fair, but who has all the material
for a great popular pet."
Public-domain text, read in full here on John Shaqi.
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