The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
1 Grand Duet, on "William Tell," Piano and Violin--Mr. Rapetti
and Mr. Wels _Osborne_ and _De Beriot_
2 Grand Cavatina, of Norma, Casta Diva--Signa. Adelina Patti _Bellini_
3 "La Chasse du jeune Henri," Overture for Piano--Mr. Bassford _Gottschalk_
4 Aria, from "Don Sebastian"--Sig. Bernardi _Donizetti_
5 Ballad, "Home, Sweet Home"--Signa. Adelina Patti _Bishop_
6 Grand Duo concertando on airs of "Norma," for Two Pianos--Messrs.
Wels and Bassford _Wels_
* * *
PART SECOND.
1 "Coronation March," from the Prophet, arranged and performed
by Mr. Sanderson, his First Appearance in public _Meyerbeer_
2 Aria, from the Opera _Le Châlet_--Sig. Bernardi _Adam_
3 {a. The Eolian Harp} Composed and performed by _C. Wels_
{b. Triumphal March}
4 Jenny Lind's Echo Song--Signa. Adelina Patti _Eckert_
5 Violin Solo, from _La Sonnambula_ _Sig. Rapetti_
6 Grand Fantasia, for Two Pianos, performed by Messrs. Bassford
and Wels, composed by _T. Franklin Bassford_
* * *
Conductor Mr. Charles Wels.
* * *
The Two Grand Prize Pianos, used on this occasion, are from
the Music Stores of Messrs. Bassford and Brower, and are for sale
at 603, Broadway.
Doors open at 7 o'clock. To commence at 8 o'clock.
TICKETS ONE DOLLAR
To be had at the Music Store of Messrs. Hall and Son, Bassford
and Brower, 603, Broadway, and Scharfenberg and Louis, and at
the door.
Going still further back, I may add that Adelina Patti made her very
first appearance on the operatic stage in 1850, at Tripler's Hall, New
York; where she sang and acted both. She was seven years old at the
time.
The season continued until the latter part of December.
On my applying to the Academy Directors for an instalment of the £6,000
which had been promised me in accordance with the assessment made, I was
informed by the Secretary that the assessment would only be allowed to
me on Patti nights. This reduced my £6,000 by three-fourths, I having
based my calculations on the amount that had been cabled to me. I in no
way blame the stockholders, who had been most heavily assessed, and had
paid up without a murmur. Some three-fourths of their contributions had
been used for other purposes, including the decoration of the theatre.
Public-domain text, read in full here on John Shaqi.
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