The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
About this time a complaint came to me from behind the scenes that Mdme.
Patti and Mdme. Scalchi were unable to force their way from their
dressing-rooms on to the stage, the wings and flies being crowded with
some 2,000 persons, who during the first act had been joining in the
applause of the singers with the audience in front. Together with these
were some 500 supernumeraries with blackened faces, in oriental garb,
chasing round to try to find their places, others with banners arranging
their dresses. At length, with the aid of the police, Mdme. Patti was
enabled to leave her dressing-room, but was surrounded immediately by
crowds of ladies with pens and ink and paper, requesting autographs just
as she was going on to sing her _scena_.
The boxes of the house were filled to overflowing, some containing as
many as twelve persons. The flowers on the arm-rests in front were of
the most expensive kind.
The march in the third act was really most impressive. There were 600
State Militia on the stage, each Company marching past in twelves, the
rear rank beautifully dressed, the wheels perfect. The _finale_ of the
act, with the military band and the 350 extra chorus, together with the
gorgeous scenery and dresses, was something long to be remembered. Well
might the audience cheer as it did on the fall of the curtain.
The following night _Rigoletto_ was given, then _Il Trovatore_, and the
night after that _Lohengrin_.
At the close of the second act of _Lohengrin_ there came a call from all
sides of the house, and I was compelled to appear before the curtain,
when I addressed the audience in the following words:--
"Ladies and gentlemen,--I am rather unprepared for the flattering
compliment which you pay me in thus calling for me. I assure you that I
join with you in my appreciation of the successful termination of this
opera season, and I can bestow nothing but the most cordial thanks for
the liberal support which the people of Chicago have given their Opera
Festival. It is an evidence of their taste, and I hope will prove the
forerunner of many more similar meetings. (Applause.) There are several
persons who deserve special mention and thanks, but I shall have to be
content simply with testifying to the earnestness of purpose with which
all have laboured who were in any wise connected with the Festival. I
therefore thank them all. It is no small thing to present thirteen
different operas in two weeks' time, yet the attendance and
manifestations of appreciation on the part of the audience will justify
me in claiming that success has crowned my efforts; and the knowledge
that we have given you all we promised and have satisfied you repays us
for all our work."
President Peck likewise came forward and thanked the people of the city
for their generous attendance at the first Opera Festival. It had been a
success in every respect, and the management had done its best to
accommodate and please the public.
Public-domain text, read in full here on John Shaqi.
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