The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
On the Company leaving St. Paul I managed to join the train on its road
to St. Louis, where we remained a week. On the last day of our stay
there I was pleased to see Arditi again able to join the Company, though
in a very delicate state. Mdme. Hauk arrived at St. Louis the last day
we were there. The following week we performed in Kansas City, where for
the opening we gave _Carmen_ with Minnie Hauk, followed by _Faust_ with
Mdme. Nordica as "Margherita." The following night at Topeka we played
_Lucia di Lammermoor_ with Fohström.
During these lengthened journeys across the Continent to the Pacific
Coast the whole of the salaries ran on as if the artists were performing
regularly.
As a rule we all travelled together; but occasionally, when the distance
between one engagement and the next was too great, and the time too
short, we separated. Sometimes one town in which we performed was four
or five hundred miles away from the next. In that case the train was
either divided into two or into three pieces, as the case might be. For
instance, when we left for Chicago the engineer saw that he was unable
to get to that city in time for our engagement the same evening. He
therefore telegraphed back to Pittsburg, and the railroad officials
there telegraphed on to Fort Wayne to have two extra locomotives ready
for us. Our train was then cut into three parts, and sent whizzing along
to Chicago at a lively rate, getting there in plenty of time for the
evening's performance. It was wonderful, and nothing but a great
corporation like the Pennsylvania Railroad Company could accomplish such
a feat. By leaving at two o'clock in the morning we arrived at four the
same afternoon at our next destination, in ample time to perform that
evening; my hundred and sixty people having travelled a distance of four
or five hundred miles with scenery, dresses, and properties.
We afterwards visited St. Joseph and Denver, opening at the latter with
_Carmen_ on a Saturday at the Academy of Music. Early the next morning
we decided to give a grand Sunday concert at the Tabor Opera-house; but
as no printing could be done, and no newspapers were published, the
announcements had to be chalked upon the walls. With some difficulty we
got a programme printed towards the latter part of the day, but
notwithstanding this short announcement, so popular was the Company that
the house was literally packed full. We played at Cheyenne the following
evening, afterwards visiting Salt Lake City, where we presented
_Carmen_. The irascible Mr. Ravelli again showed temper, and by doing so
caused great inconvenience. I replaced him by one of the other tenors of
the Company.
Of course I was blamed for this. Ravelli, however, had declared himself
to be indisposed, and I at once published the certificate signed by Dr.
Fowler.
The opera went exceedingly well.
Public-domain text, read in full here on John Shaqi.
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