In the fourteenth century the four towers were surmounted by wooden spires covered with lead, painted and gilded. To the fifteenth century belongs the beautiful porch in the Flamboyant style which precedes the south door of the twelfth century. The Revolution destroyed three of the four spires in order to utilise the lead, and mutilated the sculptures of the doors. Notre-Dame was completely restored about 1852. The steeple of the north tower of the west front was reconstructed, but the towers of the apse remained despoiled of the elevated pyramids which gave to Notre-Dame a very characteristic silhouette recognisable in the centre of the old engraving reproduced on _p. 198_. [Illustration: PORCH AND SOUTH TRANSEPT OF NOTRE-DAME] The south porch, visible in the opposite photograph, was built in 1469. The bay is surmounted by an angular pediment, and the gable is ornamented by graceful arcading in the Flamboyant style. The south front of the transept (photograph opposite) which adjoins the Gothic porch, is a fine piece of work in the Romanesque style, with its round arches and its sculptured rose-windows. The little thirteenth century sun-dial on the buttress in the middle-front below the windows is worthy of note. It is one of the oldest known. The interior of Notre-Dame is simple and dignified (see below and on p. 203). It has been completely restored. The pillars which support the arcades are those of the early Romanesque church (see photograph p. 205). Their capitals are finely sculptured. Above the lower arcades runs a gallery which opens on to the choir and nave by means of bays composed of twin lights. A little triforium separates this gallery from the higher windows (see below). [Illustration: CHOIR OF NOTRE-DAME] The windows of the aisles of Notre-Dame are filled with beautiful sixteenth century stained glass, which at the beginning of the war was taken down and put away for fear of damage from air-raids. We reproduce a panel from one of them, which represents the donor kneeling in prayer to Saint Martha, her patron saint, who is trampling under foot the "Tarasque," a mythical monster of Tarascon. The saint is subduing it by sprinkling it with holy water.