Battlefields -- France -- Guidebooks; France -- Guidebooks; Marne, 1st Battle of the, France, 1914
At this crossing, standing against the house on the right, is a
pyramidical monument to the memory of the painter Amédée Servin, who
died in 1884. His medallion was engraved by Falguière. It was Servin,
together with the native poet Jules Grenier, who introduced the Valley
of the Morin to the public. A little school of artists was formed
there, which recalled that of Barbizon in the Forest of Fontainebleau,
or that on the banks of the Yvette. The part known by the name of the
"Morin des Peintres" (the artists' Morin) stretches from Couilly to
Tigeaux (south of Crécy); many artists visit there each year.
_Traverse the bridge over the Morin and the level-crossing.
Immediately afterwards turn to the right (14½ km.) into N. 34 towards
Crécy-en-Brie_.
[Illustration: PLAN OF CRÉCY]
The Grand Morin was crossed on September 6, 1914, at the beginning of
the battle of the Marne by the British troops, who utilised the several
bridges between Villiers-sur-Morin and Coulommiers. The Germans offered
but a feeble resistance; their forces at this point consisting merely
of a screen of cavalry supported by a few artillery and infantry units.
Their task was to cover the retreat northwards of the two army corps
recalled by Von Kluck to resist the flank attack of the Army of Paris,
to the north-west of Meaux.
_Shortly before arriving at Crécy, the road traverses, by means of a
level-crossing, the little railway line already met with several times
since Couilly and which has its terminus at Crécy._
CRÉCY-EN-BRIE
The entrance to the burgh (16½ km.) is marked by a little brick belfry
surmounting a tower which belongs to the ancient fortifications. That
part of the Morin which flows at its foot forms the boundary of the
town, and also served as moat to the ramparts erected in the Middle
Ages. Of these important defences only a few scattered towers remain of
the original fifty-five.
From the bridge we have, on the right, a picturesque view of the
tanneries shown in the photograph opposite.
[Illustration: ARM OF THE MORIN]
_The tourist would be advised not to cross the bridge, but to follow on
the left the pretty avenue, planted with trees, which encircles Crécy
on the outside._
[Illustration: FOOT-BRIDGE OVER AN ARM OF THE MORIN]
_This avenue, however, is not accessible to motors. The latter may take
the Rue du Marché, the Rue Serret, and on the left of the Place Camus,
the Rue Barrois and its continuation, the Rue Jean-de-Compans. At the
bridge over the Morin, at the extremity of the town (view opposite),
the motor may await the tourists, who will rejoin it by the pretty
shady walk beside the Morin shown in the photograph above._
[Illustration: BRIDGE OVER AN ARM OF THE MORIN]
Each one of the houses bordering the river has communication with
the boulevard by means of a foot-bridge, some of which are also
draw-bridges. The little wash-houses fitted up in the lower storeys of
the houses add to the picturesqueness of this rustic corner.
Public-domain text, read in full here on John Shaqi.
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