The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893Ogle, Arthur
History
The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893
Ogle, Arthur
Argenson, René-Louis de Voyer, marquis d', 1694-1757
As to the destruction of the nobility, nothing could have been further
from d'Argenson's mind. He was himself a nobleman; and, if he had
none of the prejudice, he had all the pride of his class. He advocates
the suppression of old feudal privileges in the belief that they can
be regretted by none but those whose devotion to the dignity of their
order amounts to madness, "jusqu'à la folie" [p. 126 (1784)]. He
repudiates the intention of debasing an aristocracy; in his own words,
"il n'est question que d'extirper une satrapie roturière et odieuse"
[p. 312 (1764)]. His only quarrel is with the nobleman's claims to "le
droit de chasse sur ses voisins, source de querelles et d'insultes;
les droits considérables de mutation et de reliefs en cas de vente et
même de succession collatérale, par où les terres mal administrées
passent plus difficilement dans des mains qui les cultiveroient mieux;
l'exercice de la justice seigneuriale négligé partout et pratiqué par
une race de gens avides, toujours occupés à exciter l'habitant simple
à plaider; enfin tous ces différens droits, procés, chicanes, vieilles
recherches, empèchement à la bonne culture des terres, rétrécissement
de l'abondance, obstacle au bonheur de la campagne" [pp. 120-21 (1784),
_cf._ pp. 119-20 (1764)]. These d'Argenson would have swept away; and
in doing so he would have reduced the French nobility, or rather he
would have raised it, to the position actually occupied by one of the
most powerful aristocracies in the world, the nobility of England.
No more cruelly keen-sighted man than d'Argenson ever lived. He only
differs from most men of equal vision in that his clear perception of
life as it was did not breed in him disgust and cynical acceptance.
His mind could command two worlds, the real and the ideal; but only
intimate knowledge can follow him at will into either, or avoid the
critical gaucherie of mistaking aspiration for illusion.]
[Footnote 419: Perhaps one source of obscurity is d'Argenson's
unhappy title. By "la démocratie" he means, not "democracy," but "the
democratic element." He was early taken to task for this ambiguity
of phrase. Bound up with one of the manuscripts in the Arsenal are
half-a-dozen sheets of criticism returned to d'Argenson by St. Pierre
in the spring of 1738. St. Pierre begins by saying that democracy is a
form of government in which the final voice on public questions rests
with the majority of the people, and that the author has really no
right to speak of "democracy" in connection with his scheme. Attached
to these sheets is a pretty little letter, which is interesting enough
to reproduce.
"Mardi, 8 avril, 1738, au Palais Roial.
"M. de Fontenelle a lu plusieurs chapitres du manuscrit; il panse comme
vous sur les elexions des officiers municipaux, et trouve que sans y
panser vous parlez fort eloquemment et fortement, et souvent avec des
alluzions très justes et très gracieuses.
Public-domain text, read in full here on John Shaqi.
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