of an undue love of nature, will never succeed in preventing me from
being delighted with what I see.
It is a country of grasses and leafage, one continual cradle of verdure.
The river, which descends the ravine, is called the Vouèze, and then,
uniting with the Tarde at Chambon, it becomes the Char, which, again at
the end of the first valley, is called the Cher, a stream that every one
knows. For myself, I like the name Char (or car); it is excellent for a
stream like this, which in reality rolls along at about the pace of a
carriage well under way down a gentle slope, where there is nothing to
make it jolt or jar unreasonably. The road also is straight and sanded
like a garden walk, lined too with magnificent beeches, through which
one can see outspread the natural meadows that are just now one carpet
of flowers. O, these lovely meadows, my dear Camille! How little they
resemble our artificial plains, where you always see the same plant on
ground prepared in regular beds! Here you feel that you are walking over
two or three layers of vegetation, of moss, reeds, iris, a thousand
kinds of grasses, some of them pretty, and others prettier still,
columbines, forget-me-nots, and I know not what! There is everything;
and they all come of their own accord, and they come always! It is not
necessary to turn over the ground once in every three or four years to
expose the roots to the air and to begin over again the everlasting
harrowing which our indolent soil seems to need. And then, here, some of
the land is permitted to go to waste or poorly tilled, or so it seems;
and in these abandoned nooks Nature heartily enjoys making herself wild
and beautiful. She shoots forth at you great briers which seem
inexhaustible and thistles that look like African plants, they flaunt
such large coarse leaves, slashed and ragged, to be sure, but admirable
in design and effect.
When we had crossed the valley,--I am speaking of yesterday,--we climbed
a very rugged and precipitous ascent. The weather was damp, misty,
charming. I asked leave to walk, and, at the height of five or six
hundred feet, I could see the whole of this lovely ravine of verdure.
The far-off trees were already crowding toward the brink of the water at
my feet, while from point to point in the distance rustic mills and
sluices filled the air with the muffled cadences of their sounds.
Mingled with all this were the notes of a bagpipe from I know not where,
and which kept repeating a simple but pleasing air, till I had heard
more than enough of it. A peasant who was walking in front of me began
to sing the words, following and carrying along the air, as if he wanted
to help the musician through with it. The words, without rhyme or
reason, seemed so curious that I will give them to you--
"Alas! how hard are the rocks!
The sun melts them not,--
The sun, _nor yet the moon!_
The lad who would love
Seeketh his pain."
Public-domain text, read in full here on John Shaqi.
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